Tag: trans

  • 31 for 31: Violet by Eve Morton

    This story is a much darker version of “The Movies that Made Us” or maybe even a deeply unsettling version (and far less pink) of “I Saw The TV Glow.”

    Violet is about a trans woman who comes face to face with her movie idol, a porn actress also named Violet. When Violet’s (the movie star) asks for the original version of her movie back, Violet (the now video store worker) cannot bear to part with it–at least, not without acting in it herself. And when that movie becomes bloody, both Violets can’t turn away.

    So… in addition to teeth freaking me out, another issue for me in horror movies is the idea of found footage. The image of a VHS tape with the name VIOLET written by hand on it is terrifying to me. What’s on the tape? Where are these people? Why is the tape here? That’s the feeling I wanted to follow for the short story “Violet” and I managed to throw all of my anxieties about found footage, snuff films, and the ever-present fear (and allure) of the TV glow at one story.

    I like it. But it’s also a nasty story, so hey, you’ve been warned.


    Violet

    When Violet glanced up from her book, all she saw was the woman. In the basement of Back Door Rentals, the light was never that great. You had to walk down a set of concrete stairs before getting to the door, half-obscured by darkness. Even inside, the low florescent bulbs above the sections were only there to provide enough illumination to read the titles while also casting safe shadows for customers to hide in. 

    But the woman seemed to brighten the entire shop. She stood in the middle of two aisles, framed by the doorway, as if she was caught in a living art piece; a reinterpretation of the birth of Venus. In this version, though, the sea-shell that gave birth to beauty was two aisles of VHS pornography, most likely of lesbian and fisting variety.

    The woman broke the tableau with a step forward. And Violet recognized her right away. 

    The woman in the rental shop was the same woman from the first porn movie Violet ever saw. The dark hair, nearly to her waist, appeared as black as it had been on the TV screen. Her pale skin was exactly the same and led up to the same prone throat. Only her smile was different. This time, it was tense and terse as she locked eyes on Violet behind the counter. She held her winter coat around her body tightly, and hunched herself over, in an attempt to keep the men from staring too hard at the living legend who had now graced their store.

    “Hello,” the woman said. “You work here, yeah?”

    Violet nodded. She didn’t want to speak in case her voice cracked and gave away her deeper testosterone-riddled baritone, and she knew it was far more likely when she was in front of the woman from her fantasies. 

    “Good. I was wondering if you could help me find a video.”

    Violet nodded. She still held her book in her hands, her thumbs acting as a bookmark. This close to the woman, she could now see small lines around her mouth and eyes. Before, she had seemed ageless, as if nothing had changed since the moment her body was captured on screen. 

    The film must have been at least ten years old, though. Violet had seen it when she was fifteen–far too young to be viewing materials of that content–but the VHS already had the worn cover edges and clipped sections that a well-loved movie obtained. Violet was twenty-three now; the same age, she believed, as the woman on the screen eight years earlier. 

    Violet’s heart could not stop pounding. Her book shook. And the woman finally seemed to notice her stunned silence.

    “Are you all right?”

    “Yes,” Violet said. A crack. A deeper pitch. Violet bit the inside of her mouth and tried again. “Yeah, I’m okay. It’s just… I know you.”

    The woman tilted her head. For a second, her eyes betrayed her fear as she discovered what Violet meant. She’d seen the film–which meant that she’d seen her naked, completely open and vulnerable–but also that Violet had seen the ending of the film. It wasn’t just a VHS porn flick that Violet had found in the bottom of a box in her uncle’s basement. It was a porn film that had been taped from something else, the original source Violet wouldn’t even discover until six years later, when she took this job first out of high school, and found the original in the back. 

    “I see,” the woman said. “Okay. Well. This actually might be good.”

    “Why?”

    “Because that’s the film I’m looking for. The one where… you know. You saw me.”

    “I saw you…” Violet stopped and started several times. “Forgive me for being forward, but… I thought you were dead.”

    The woman smiled, just barely. Violet was struck by her green eyes. Violet had always thought they looked brown in the movie. Each thought comparing the filmic version of the woman to her real life counterpart, here in the flesh and very much not dead, made Violet’s palms sweat and her body tense. If not for the estrogen already working its way through her body, and the tucking she’d done that morning, she’d be hard. It was only a look, but she felt like the fifteen year old boy she’d been when she first discovered the film. And then the nineteen year old who realized that the woman he had been keeping in his mind since he was fifteen was actually murdered at the end of the movie. Violet had only watched the snuff film once before sliding the VHS back into a box and hiding it where no one would find it. The woman that he had loved–named Violet according to the film’s label–had made him question everything he thought he knew about himself and the world.

    A year later, he was now she and going by Violet.

    At the time, Violet thought naming herself after the snuffed out woman was the only way to keep the image of her alive. 

    But she was alive. Now faced with her dream woman, Violet wasn’t sure what to do. 

    She glanced around the store to be sure no one needed help, but everything and everyone was fine. The back booths were booming with business and the older man in the anal section was completely content. No one noticed the beautiful woman because there were a dozen more just like her in front of them; no one was having an existential crisis because no one else here was trans and had constructed their entire identity around this moment. 

    No one here gave a damn. 

    “Can we talk somewhere?” the woman asked. “I think this is a better conversation to have over a drink, don’t you think?”

    When Violet remained quiet, the woman leaned closer. She placed a hand over Violet’s book, cascading her fingers down the spine. Violet swallowed hard, suppressing her desire and revulsion at the woman’s gory death on screen. She blinked once, saw the static and the glitch-y images, and then opened to see the woman, like Venus reborn, in front of her. She almost glowed.

    “Yes. I think that’s a good idea. Let me close up.”

    Violet stood from behind the counter. She closed down the booths at the back, angering some of the men in the process. The internet was still a new thing, still something that most of the older generation hadn’t quite realized the potential of, and so the shop was still filled with people who would much rather view in private booths. Violet knew these men were a dying breed. Back Door Rentals had managed to contend with the DVD craze, but it would not survive the internet age. Suddenly, all desire to even work at Back Door Rentals disappeared. Violet now had what she always wanted: the woman that made her a woman.

    Once the store was clear, she walked back over to the woman. She stood taller now, her winter jacket unbuttoned. Underneath she wore a black v-neck shirt and Tommy Hilfiger jeans. Violet was sure she had the same ones at home.

    “You ready?”

    The woman nodded. Violet led her to the concrete stairs and locked the final door.  

    “What should I call you?” Violet asked. “I realize now that you may have been using a name all those years ago.”

    The woman smiled and shook her head. “I’m Violet. Just like the tape said. And you are?”

    Violet smiled, mirroring her namesake. “Exactly the same.”

    *

    Five minutes into their coffee, Violet from the video insisted on being called “Vi.” It was less confusing for Violet, and it also made her feel like an insider. She was already calling her dream woman by a nickname; already creating the subtle bonds of intimacy between them that she’d craved so long ago. 

    “How much do you know?” Vi asked. She held her black coffee close to her body, using both hands around the mug. Her nails were painted red. Violet wondered if she had the same shade.

    “I don’t know much beyond what was on screen. You inside a red room. And then you inside a black one. Where you were, you know.”

    Vi nodded. On the back of Violet’s eyelids, from ages fifteen to nineteen, the movie had just been the red section. Vi was on an examination table and a man in a doctor’s uniform was removing her clothing. They fucked. There were more positions, more than Violet could dream up as a fifteen year old boy without access to the internet. Back then, she didn’t even have access to nudie magazines because she’d been an only child with no father. Vi’s breasts were the first ones she’d seen.

    And she’d fallen in love with them. The red room was the entire movie to Violet and she’d watched it forwards and backwards. When she’d gotten to Back Door Rentals, she’d found the original film that was merely labeled VIOLET in large letters. The red room went to the black room, where Vi’s throat was cut as she laid on a bed, bleeding out into the sheets. 

    Violet had stared at the screen in horror. 

    Then, with a sick feeling in her stomach, she rewound the tape to the beginning and watched it all the way through. Vi’s death occurred three more times before she took the movie from the store. 

    Violet tried to explain her history with the movie in fewer words and with less focus on how arousing it had been–and more talk of how horrified. Vi didn’t seem to care either way. Her gaze fixated and she leaned even closer

    “So you watched two movies of me?”

    Violet nodded. 

    “Were they both on VHS?”

    Another nod.

    “And were they originals?”

    “What do you mean ‘originals’?”

    “They weren’t studio movies, obviously. They could be tapped over.”

    Violet remembered learning the difference as a kid; the movies you could tape over had a small latch at the front of the tape that wasn’t pushed in, while all of her other films–like the Disney ones–had the latched pushed in. It was a subtle way to signal to the VCR what was okay to use to tape Dynasty or SNL and what was not. Violet struggled to remember the porn movies.

    “I think the first one–the red room one–was a studio movie. But I don’t think the second one was.”

    “Good, good. I need the second one, then. The one with black room.”

    Violet bit her lip. “Do you… do you really want it? I mean, it’s pretty gruesome. Horrible and misogynistic and–.”

    “But it’s me. You’re forgetting that. I acted in those scenes.”

    Violet made a face and tried to hide it with her coffee. Could it really be acting? She thought for so long that Vi was dead. It was why she had transitioned; why she had taken the name she did. If the woman who embodied femininity was gone, then nothing was sacred. 

    And she could step into the role and be just another intimation of the pure greatness that had come before. Vi was a Platonic ideal–always to strive for, but never reach. 

    When a cafe worker came by, she nearly bumped into Vi as she set down more coffee for Violet. Violet was about to complain, but the waitress was gone. Vi’s mug was empty–she had gotten no refill–but she didn’t seem to care. She stared into the empty mug, then at Violet, her gaze harsh.

    “You’re not protecting me from the film by not letting me have it. It’s quite the opposite, actually.”

    “What do you mean?”

    Vi sighed. She glanced around the cafe before leaning in close. For a moment, Violet wondered if the table between them was going to disappear, and their bodies would merge entirely together like an ink blot or kaleidoscopic reel. 

    “I found it online,” Vi said. “I saw myself being murdered over and over again. I don’t want that anymore.”

    “If it’s online, it’s online. Get the host to take it down.”

    “It doesn’t work like that. And it’s not the same thing. I could stand having the sex stuff up there. It was annoying, but I made that decision. The murder, though…” She shook her head. “I hate knowing it’s out there.”

    “And it looks so real.” Violet remembered the colour of the blood. The way it coagulated. What Vi’s throat looked like as nothing but a wound. It was impossible to not stare at her neck now and wonder where the scar was. Violet gestured to her own throat with a shrug. “I still don’t understand. You know…”

    Vi shrugged. “Movie magic.”

    “Hmmm.” The explanation didn’t fulfill Violet’s need for knowledge. It became a void inside of her, a chasm that seemed like it would never be filled. “What will having the original film give you? It’s still out there. I hate to break it to you, but the internet’s going to change things. You’re not going to be able to get your image back.”

    “But I can.” 

    Vi leaned back suddenly. The space between them split in two. Violet felt it like a wound. 

    “I met this guy,” Vi went on. “He actually recognized me from the movie. He said I could reclaim what I’ve lost. I just need the original VHS tape. I give that to him and I get a second chance.”

    “I think he’s feeding you lies. I don’t think it’s possible to get back what you’ve lost. Not in that way.” 

    “But you do believe in second chances, right? I mean, look at you.”

    Violet bit the side of her mouth. She wondered what part of hers image gave away her trans status. Was it her chin? Her prone throat? She’d tried to obscure her Adam’s apple with a high collar on her winter jacket, but that jacket that now was on the back of her chair. Was it her thin hair? Her height of 5’9? Her hands? All the obvious answers came to her, but she knew deep down it was her voice. She always passed in the store, at the bank, even at her college night school classes–until she spoke. 

    Violet was about to ask what the hell her life had to do with any of this, when she stopped herself. It had absolutely everything. And Vi knew it. More than just her voice, Vi saw the way in which Violet had modelled herself on her older filmic image. Most trans women do have a proxy; Madonna or Lauren Bacall, the Hollywood image that fed their identity into as a child. Violet never had that fracture of self until Vi came along and died in front of her. 

    “Do you even have the movie?” Vi asked, her voice hot and accusatory. “Or are you just wasting my time right now and trying to get off in the process?”

    “No.” Violet shook her head, her voice steady. “No. I have it. I just never wanted anyone else to see it. So I hid it in my apartment. I hid it away from everyone.”

    “I appreciate that. But it’s online now. There’s no hiding it. There’s only destroying it. And this guy will help.”

    “I still don’t understand.”

    “Then come with me,” Vi said. Her green eyes pleaded. For a brief second, Violet thought they turned brown, like they had on the screen. But it was only a flicker of her nostalgia soaked imagination. 

    She swallowed back the last of her coffee and nodded. “Okay. I’ll come.”

    *

    The man’s name was Gerry. He lived across the hall from Vi’s apartment on the East Side of Vancouver. Violet recognized the area from the few times she visited the clinic to find doctors who would prescribe her hormones. She hated the area; the atmosphere always felt so unsafe, especially as women seemed to drop like flies from either heroine or men with knives. She realized now, as she snaked her way up several flights of stairs to Gerry’s place, that she had avoided the area because she always thought this was where Violet had died. She had gotten into the wrong car and the wrong studio and thought she was making a movie for fun. For a couple handfuls of cash she could do what she wanted with, but ended up paying for her life.

    “Why was the movie made?” Violet asked. 

    Vi was ahead of her, her thick boots echoing as they walked up the stairwell. “Why do you think porn is made?”

    “No. I mean… why the fake murder?”

    “Again, why do you think people make snuff films?”

    “To get people off. Fine. But it was fake. I always thought they were real. It was scary because it was real.”

    “Sex is real on the screen. And the death is real. But it’s also not. I fuck someone, and they go inside of me, but I don’t let myself stay there mentally. I go somewhere else. It’s the same for the snuff stuff too.”

    Violet wasn’t exactly sure how a knife could go into someone and not have it affect them later. Without a scar on Vi’s body, though, that seemed to be what had happened.

    “Exactly how many have you made?” Violent asked. “I thought it was just the one?”

    “We’re here.” Vi held open the door to the fifth floor. Violet’s lungs already felt pressed against her chest from all the walking. She followed Vi down a hallway and to an apartment that seemed to radiate the sweet smell of smoke. Her previous question was left unanswered as Vi knocked on the door. A snake-like ornament, going in a circle, hung on the centre of the door.

    “It’s an ouroborous,” Vi said before Gerry game to the door. 

    Gerry was a large man, taller than both of them, with a thick beard. He wore all black and had a shaved head. His smile split his round face in two as he shook Vi’s hand. He then turned to examine Violet with a tilt to his head. It was a familiar action; the same one Vi had done when she’d assessed her in the store.

    “I know you,” he said.

    “I work at Back Door Rental.”

    “Ah. That’d be it. Do we have the video?”

    Vi nodded. She led the way into the dark apartment, Violet coming up at the heels. She held the original video in her winter jacket pocket. They’d stopped at her place before taking a cab out to the East Side. When she’d come back out with the video, Vi had looked at her with a sultry expression. It struck Violet harder than a punch to her gut. For a moment, she’d been convinced that they were going to skip everything and fuck on her bed. 

    But the moment had passed. Now, inside Gerry’s apartment, the smell of cigarette smoke mixed with sage. He spoke at a rapid-fire pace, mostly asking Vi how she was doing and how her brothers and sisters were. Vi brushed off his questions and quickly turned to Violet. 

    “The tape?”

    “Yes. The tape. Let’s get to work.”

    Gerry’s stare met hers. Violet paused. She clasped her hand around the edge of the VHS, not wanting to let it go. The storyline was so worn into her brain. “I want to know how it works.”

    Gerry sighed. He kicked back a chair at his kitchen table and gestured for everyone to sit down. Though it was hot inside the apartment, Violet kept her coat on as she sat. Gerry lit a cigarette before he talked, ashing it in between statements.

    “You that old story of a photograph taking your soul?” When Violet nodded, he went on. “It’s bunk. Humans don’t really have souls. But there is something to be said for digital copies of ourselves. It gets weaker, less potent, as the image proliferates. It’s one of the reason why certain art objects have such a high… oh, I don’t know, radiance to them? It has nothing to do with the artist or even the paint they use. It’s all about how many images of an image there are. Take Van Gogh.” He said the name like Hoff instead of the more popular Go. “We see Starry Night everywhere and it’s boring. Even when we see the original, it’s kind of boring. We see more details, sure, and we see the texture of the paint, and it’s better. But the object has no power anymore. It’s too common.”

    “Okay,” Violet said. “I get that. But what about pornography? Snuff films? I don’t understand why you want this tape of Vi.”

    “She wants it. She wants her life back.”

    “She won’t get it. Once you make a decision like this, it’s permanent.”

    Gerry sucked extra-long on the cigarette. He leaned closer. “Are you sure about that?”

    “Well, I would assume so. Decisions only go one way.”

    “No, they don’t. Let’s take Van Gogh again. We hate Starry Night. We’ve seen it too much. So how about we get rid of it? We can’t just throw away the postcards with the image on it. We have to destroy the original. And once we do, it’s gone.”

    Violet was about to open her mouth to disagree, but Gerry spoke again.

    “The structure of it remains, I will give you that. We know that something used to be on that wall. A man painted something about stars in the night. We try to remember and replace it. Sure. But that original is gone. And the rest will fade.”

    “And you think that will happen to Vi? She will fade?”

    “I want to,” Vi said. 

    Gerry gave her a sympathetic look before he turned his focus back on Violet. “We need to get rid of the source. The memory will still be there, and something else will come and try to fill the hollow structure of what’s leftover. Pornography will always exist. And whether we like it or not, snuff films will too. Even if the death captured can be reversed in some way.”

    “I still don’t understand,” Violet said. The tape now felt hot in her hands. She traced her finger along the line that had the button. If she could press it in, then the tape would never be taped over. She hovered above it. 

    “All the things that came from this tape, good and bad, will still be there,” Gerry said. “But weaker. It’ll be like an empty glass. Still a glass, but you’ll have to fill it again yourself.”

    Violet felt sadness swell in her throat. She wanted to keep the tape because she was on the tape. Vi was her and she was Violet. She wanted to become the epitome of womanhood when she saw it destroyed. If death wasn’t death and even sex could be undone on screen, then did it leave her as an empty shell? A blank tape?

    Violet pushed down the button. The movie would not be taped over. It would remain, static. And she handed it over. 

    Gerry’s smile left his face as soon as he saw what she’d done. Vi’s eyes widened. She looked from the tape to Gerry and then back at Violet.

    “What did you do?”

    “Nothing. I just want to stay a little while longer.”

    *

    When Vi came into the video store next, she wore a red dress. Her hair was long and hung down in rivulets towards her waist. Gerry came in behind her. He ushered the people in the store out up the concrete steps as Vi made her way to the counter.

    “We should talk,” she said, voice long and smooth. 

    They had not seen one another in two weeks, not since the incident in the apartment. Violet had left after she gave back the tape and not uttered another word. Even if they would not be able to tape over the image, Violet figured they could have always unfurled everything from inside. Smashed it with a hammer, or run it over with a car. Destruction was as plentiful as the type of porn to pick from. Always so many options.

    Meanwhile, Violet tried to go on with her life. But she felt herself fading. Even if the tape’s image remained protected, the illusion in her mind had been shattered. Vi was a real person with a real life; the tape was a fake. Not even death was real anymore. 

    “Where do you want to talk?” Violet asked. 

    “Back room, maybe?” 

    Violet nodded. She opened the back room where most of the old movies were kept. Jason, the owner who was never around, sometimes had toys back there too. A cot for when they had to do inventory and wanted to sit down. Jason was determined to expand the store beyond films, especially because of the internet, but Violet knew he would fail. The boxes of the merchandise seemed static next to the movies and DVDs that were taking up space. 

    Gerry followed them to the back. He pulled a camcorder out of his backpack and kept it rolling. Violet was about to ask what was going on, but Vi kissed her. Her mouth was hard, jagged. Violet’s body reacted through sense-memory and basic response. Vi kissed her like she’d been kissed on screen. She ran her hands up and down Violet’s body like she had seen on screen.

    When they fell on the cot, it was exactly like it had been in the red room scenes. Violet leaned back as Vi disrobed her with the precision of a doctor. Not even Violet’s mismatched sex made her feel nervous or uncomfortable. The movie scene played out as if it was always there, always permanent.

    Violet felt herself come back to life. She was no longer fading, but existing in bold colours. Not every section of the film was the same–two women now instead of a man and a woman–but the structure was the same. The structure was what mattered; it was the heart of the event. When Violet came, the scene etched itself in her memory. 

    Then came time for the last section, the one in the black room.

    Gerry handed Vi a knife. Violet remained naked, prone. Fear percolated in the base of her stomach, next to desire. She wanted this. She was this. She’d been made in this image and now she was going to become it. Like a great art object–the original. 

    Vi walked over to her, knife ready. Gerry continued to film. Violet extended her neck, waiting to become herself all over again.

    END

  • 31 for 31: Magda Mayfly by Eve Morton

    This story is a bit rough.

    “Magda Mayfly” was one of my first stories involving trans characters and trans experience–so reading it over now, almost ten years later, is very jarring. There are stylistic elements I wouldn’t reproduce anymore, other stuff that is no longer relevant in trans experience, and just things that don’t work anymore.

    But I still love this story.

    And since it was one of my first published stories (in the Lost & Found issue of Literary Eclectic), it would be disengenuous to not include it, even if there are parts I dislike now. There are still lots of things that I do like about it, and lots that I can see would become fixations in future stories. It was also a longer story I wrote, one that should/could have been the beginning of a gritty noir, rather than a creature-feature (or Candyman like villain origin story).

    The idea was simple: what if there was a figure like Bloody Mary that teens tried to evoke with a coming-of-age-ritual, but the figure was based on the life and death of a murdered trans woman? And what if, instead of harming kids, she actually helped them–especially trans kids–with their transition?

    That’s where X, the lead character of this story, begins. X redefines a murder as a saintification, and brings Magda out into the light–but not without paying a heavy cost inside the community.

    I hope you enjoy & I hope you’re kind to the rougher edges of this tale.


    Magda Mayfly

    They had to talk about surgery today. That’s what Thursday’s group therapy session was for at the Sherbourne Health Centre. The sign-up sheet was passed around the semi-circle of orange plastic chairs. Each member was to fill in their preferred names and pronouns for attendance, take a name card off the sheet, and talk about what they all wanted to escape.

    Michael Donald, as written on his birth certificate that he had not changed yet, wrote down his name as X. He debated the neutral pronouns of they/them/their, but went for the masculine set of he/him/his. People would default to calling him a “he” anyway. He may as well jump ahead of the curve. 

    “I know that some of you have had your interviews,” Julia, the group leader, stated. “Do you want to talk about how they all went?”

    A few people put their hands up. X noticed Cayden across from him in the semi-circle, his small hands immobile at his sides. The two of them had joked about the gender assignment interviews before. They treated the whole affair like a Beckett play, waiting for something that would never come but still forced to stay on the stage and perform. Cayden was assigned female at birth (FAAB), wanted to transition to a man, but he also liked to dress in female drag at bars on the weekend. Cayden was a Russian doll of identities and he was acutely aware that this would put him on the chopping block for the interviews that were part of sex reassignment surgery. 

    And X—well, X was nothing at all. He had no identity that he would much rather embrace, but the biology he found himself tangled in was often too tiring to bear. He came to the gender clinic, and wanted gender reassignment surgery, because he had hopes that some kind of physical change would ease his mental anguish. But as for his identity, he felt as if his gender may as well have been called Godot. It was never going to show up. 

    But the audience still waited.  

    Natalie, a tall trans woman with pink lips, spoke first. She had had her gender interview on Monday. From her spot in the circle, the rest of the group would shuffle around and rehash their own experiences, which often felt like first dates complete with 1950 gender roles and Betty Crocker aprons. 

    “I figure I have to play into the committee’s idea of what a ‘real woman’ is,” Natalie said. “So I wore a skirt. I laughed a lot. I had to appear competent, but not too competent or they wouldn’t help me. You know? So I did my make-up well, but I made sure I didn’t cover all of my stubble. A cry for help, but a reasonable one.”

    A few other trans women nodded. The trans man that followed Natalie reiterated a similar story. He dressed as butch as he could, but he didn’t bind so the committee would be reminded of what he needed to remove. The group leader, Julia, a trans woman who had successfully completed her transition in the early nineties, now turned to X as part of the circle. He laid his hands over his lap, his mind distracted. 

    “And how did you interview go, X?”

    X sighed. He knew his had gone terribly. But there was no use admitting defeat yet.

    “I went. I did the song and dance. But I’m not holding my breath.”

    “Why not?”

    “It’s hard when you don’t identify as either. Agender is not a concept to the committee. They want to mark you down as one or the other. I can’t lie… not like that. But I also don’t want to wait for the inevitable ‘nothing’ to come.”

    “I wasn’t lying in my interview,” Natalie said. “I was just…playing into expectations.”

    “I know. But you have an expectation to play with. There is no expectation for me. I’m sitting on the fence to them. Undecided. Always.” 

    “And how do you feel about all of this?” Julia asked. 

    “I’m ambivalent,” X said with a laugh. “I think that’s kind of the point, though.”

    “Can you elaborate at all?”

    “I don’t identify as either sex or gender or whatever you want to call it. I want my name to be X because that’s the only chromosome that almost everyone has. Ambivalent means being in between, right? It means I don’t have to choose. Quite frankly, I don’t exactly like my options.”

    Julia glanced around at the group and then back at X. X could tell that she was worried, awkwardly assessing her position in relation to people like X and Cayden who conformed and rebelled to notions of gender. That was the problem with most of these therapy groups for X. Trans people wanted to be one or the other. Some wanted to be both, which still kind of worked in their favour. They usually just lied on the forms and embraced the other side of the spectrum, so they could get the pills and leniency they needed. 

    But X didn’t want pills. He didn’t even really want to dress as anything else; now he wore jeans and a black t-shirt, his normal attire. He wanted to be nothing, but in a world that measured things with either/or boxes, he knew he was going to have to pick sides. 

    “Do you ever feel like something?” Julia asked.

    “I feel like things that don’t have genders,” X said. “A rock. An arrow head. Insects.”

    “But insects do have a sex. They have to for reproduction. And we still gender them when we speak about them. Black widows, ladybugs, queen bees. There’s a lot there.”

    “But they’re not gendered in the same way we are,” X explained. “Many insects go through stages. Not to harp on the whole butterfly metaphor, but I like the notion that we don’t stay one thing very long. Identity for insects is always short-lived.” 

    Julia nodded, but she still looked uncomfortable. It was a testament, really, to her limits. She could sit through therapy sessions where every last negative thing was said about someone’s self-worth and the t-word was used in excess and not bat an eye. But to give Julia nothing to hold onto, no panic to calm or oppression to work through, and suddenly she was at a loss for words. 

    “I have heard of eunuchs,” X added.

    “What do you mean?” she asked. 

    “Online. There is a group of eunuchs, or people who identify as such. They were born male, like me, I suppose – and then wanted to get rid of anything that made their voices change.”

    “You can’t get rid of that,” Natalie said, leaning forward. She whispered as she spoke. “Testosterone is a damaging hormone. It makes the vocals chords change permanently.”

    “I know,” X said. “Trust me, I know. Some of these eunuchs have fixed their problem before that happened or too much of it did.”

    Julia raised her eyebrows. “What are you saying, X?”

    “They performed surgery. They did it themselves—totally punk, don’t you think?” X said with a laugh. He was joking. He knew that it was a dangerous procedure. Each member of the online eunuch group had warned that anyone who attempted the procedure to do it within walking distance of a hospital. There would be massive blood loss as soon as that area was cut. This was the online plan: Find a bathroom. Make sure it’s clean. Tie off your testicles with an elastic, and then, using a knife or scalpel, slice them off. Hide them, thrown them in a garbage, or just get rid of them so no one can entertain the idea of sewing them back on. Walk to the ER as fast as you can. From there, they will treat you. They have to. And voilà, a brand new you. 

    X didn’t dare say any of the details out loud. No way Julia, let alone some of the tender-hearted trans people, could hear the utter brutality and desperation. Most of these group meetings were held for people who could afford the support network. They had doctors and family members who supported them, more or less. They had no idea the visceral violence that lay underneath the skin and knives of truly desperate people.  

    “You guys have seen Cruel and Unusual Punishment, right?” X asked. “The documentary? Trans women sent to men’s prison do this all the time. They perform surgery on themselves so they can finally crack open the person that’s trapped inside. It’s all fairly standard rhetoric, isn’t it?”

    “Yes,” Julia said. “I understand that. We understand that. But those women are put into a dangerous position. We want to petition prisons to release trans women from men’s facilities so they don’t harm themselves. We don’t want to force anyone into such a barbaric ritual. It’s mutilation—in the most drastic form.”

    Some of the group tittered. They had heard the world mutilation to describe the surgeries they wanted for themselves a million times over and rejected every single one. At least those surgeries (the mastectomies, the vaginoplasties, and everything in between) were done under anaesthetic by a trained doctor. The real thing that was true mutilation for X was the fact that they were all forced into this room and told to pull out the most personal parts of themselves. If being transgender meant that they had to try and access the person that was trapped inside, there was going to be some rib cracking. 

    And definitely some blood.

    “I don’t think it’s mutilation,” X said. “However you end up doing it.”

    “Of course not,” Julia said curtly. “The surgery is part of who you are. It’s good, necessary, and needed. But to be forced into a corner like that, like a scared animal…”

    “I still don’t think it’s mutilation. No matter the circumstances. I mean, all of this is about perspective and interpretation, right? Surgery is supposed to help our bodies match our minds. No matter how it’s done, the end results always matter.”

    Julia’s lips formed a thin frown. This wasn’t supposed to be part of her job description. She looked out at her audience and the clock on the wall.

    “Maybe, X, I can see your point of view. But I still think we should focus on what we can do in our positions. The safest and healthy ways. We’re in Canada; we’re lucky that the Canadian government recognizes this as a legitimate illness—one that they will try to help fix—”

    “But only if you pass their test,” Cayden cut in. X nodded to him, relieved he had finally spoken.

    The crowd murmured. X knew that not everyone agreed with Julia’s stance, but even if they wanted to disagree, it didn’t matter. They would still have to stay here and talk about their pain. These were the rules. At the Sherbourne Centre, the first rule about your gender reassignment was that you absolutely must talk about your gender reassignment.

    “But what about me?” X asked again. “I’m in the middle. On the fence. The committee will always make me choose a side.”

    “Well, what do you want?” Natalie asked. “You clearly went to the interviews asking for something. At the end of the day, who do you want to come home as? How do you want your body to look?”

    Like a eunuch without the singing, X thought. He wanted his testicles gone. He wanted to have testosterone no longer coursing through his veins. But he didn’t want to be known as a woman. He already lamented the fact that neutral pronouns tripped everyone up, so he was forced to use “he.” It was easier to settle for “he” than to get used to “they/them” in group and then to come home and be barraged with “he” all over again. He had already given up hearing X as a name as soon as he stepped foot inside his parents’ place. Not because they were transphobic, but because of a very typical human foible: no one liked change. X would always be his birth name to his parents, because they remembered that birth. 

    “The committee will make me choose,” X said. “When I want to be nothing.”

    “You can’t be nothing,” Natalie said. There was a hint of petulance to her voice, as if X hadn’t been listening during the trans 101 seminar. “You need hormones. They’re important for bone growth. If you don’t have anything, your bones will start to hollow and break at the simplest touch. That’s why even old women going through menopause start HRT. Hormones are just… natural.”

    “I know all of this logically,” X said. “I just don’t want to choose. I don’t think it’s that hard to grasp.”

    “Well,” Julia said. She stood up, holding a chart to her chest. “I think that’s all the time we have for now. Thank you all for coming. Those who have had their interviews, we will keep you in our thoughts.” 

    X stayed seated as the group began to leave. He scanned the room, eyeing the many men and women fulfilling their gender destiny. He knew that most of them would be approved for surgery. They had done all the right things and said the right words to form the narrative the doctors all wanted to hear. If they didn’t pass, someone would step up and find them a doctor who could take care of them. But X saw himself in the middle of a field, the grass never greener on either side. 

    At least there was Cayden, he thought. But even Cayden could play the field. He passed as a man now and only came out in drag at night along Church Street. Even Cayden could remove his breasts and continue to take testosterone to overwrite his former selves. 

     “Do you need anything, X?” Julia asked him. The room was almost empty now. She looked at him with her sad eyes, the lines around her face growing deeper. She put a hand on his shoulder; X shrugged it off. 

    “No, I’m fine. Thanks.” 

    “Are you sure? When you said you wanted to be nothing, I get worried.”

    Right. Nothing was nihilism. It was suicidal. To want to be nothing meant a negation of real life. But space could be seen as a nothing; a big black void. Even in the depths of the ocean where it was so black it was a nothing, fish and other creatures lived. Being nothing was not a death sentence, X knew. Not always. 

    “I’m fine, Julia. Don’t worry about me. I’m just… anxious to see the interview results. Like everyone here.”

    She nodded. “Well, okay. I’m here if you need me. See you next week.”

    “Sure,” X said. “Something like that.” 

    ***

    “Michael! Oh, good. So glad you’re home now.”

    X closed the door. His birth name was so innocuous—Michael was one of the most common baby boy names for 1988. He heard it all the time growing up in elementary school, to the point where he often referred to himself as Michael D. to distinguish himself from the crowd. It wasn’t until high school, when he stumbled down the wormhole of the online eunuch community, that he started to go by X.

    X didn’t correct his mother. He walked over to the fridge and took out a drink.

    “Honey?” His mother turned around. She stood in the middle of the living room she was cleaning, her hair a mess. “What’s wrong?”

    “Nothing. Just not feeling that well.” His mother frowned and X ignored it.  “Where’s dad?” 

    “At work. Where else?”

    X’s father was a police officer. Toronto was a big city, but not nearly as bad as some metropolitan areas in the states. His father mostly worked on breaking up bar fights and small drug busts. It was a good living, and he was respected for it. 

    “Do you mind if I go to his study for a while?”

    His mother narrowed her eyes. “Only if you vacuum it first.”

    X shrugged. He had been living with his parents ever since he graduated from university and had yet to find a job. The gender clinic on Thursday was the only structured thing in his life. 

    “Any luck on the job front?” his mother asked after he grabbed the vacuum from the closet.

    X shook his head. The last resume he sent out was six months ago. He could never figure out how to explain his therapy sessions to his bosses and why he needed time off. It was a lot easier to just not work until everything, gender-wise, calmed down. 

    His mother frowned again. “You should apply more. It will help you.”

    “I know. Money is good.”

    “But it will also get you out of the house.” 

    “What’s wrong with the house?” X asked. “I’m cleaning it, aren’t I?”

    His mother’s soft blue eyes looked worried. She walked over to him and tried to adjust his bangs. X moved away from her hand, knowing that his hair was longer than she would have liked it. 

    “Oh, Michael. I’m sorry. I just worry about you.”

    “Well, I’m fine.”

    “Are you?”

    I’m nothing, he thought. Nothing at all. “Can I just do this chore and forget about things for a while?”

    His mother nodded. At first, she had thought the gender-thing had been X’s coming out as gay. Or bisexual. Really, either wouldn’t have been so bad. Toronto had pride, after all. His mother was used to seeing half-naked gay men parading down the street. His mother had watched Will & Grace. She was accepting and “open-minded.” But having a son that claimed to not be her son—or her daughter—threw her.

    “Okay. Your sister is coming home this weekend.”

    “Oh?” X asked. 

    “And your brother should be back from school any minute now.”

    “I’ll be quick, then. Cleaning, I mean.”

    X moved into his father’s study, closing the door behind him. He kept the vacuum on loudly as he sunk into the desk chair and tried to disappear among the dust. 

    ***

    When X’s father came home, X was still in his office. He heard the heavy footsteps from the other end of the house. 

    “I was interviewed on the news,” X’s father declared, then moving to kiss his wife.

    “That’s great, dear. About what?”

    “Magda,” he said. “Again. I know. It’s been so long.”

    X appeared by the crack in the doorway then, his skin tense. He knew exactly who his father was talking about, because he had looked over Magda’s case file—now over thirty years old—that afternoon. 

    “It’s nothing, really,” X’s father said. “A small DNA strand that we were able to match to a couple other open cases. No killer yet, but we have something, Jill. We may be able to show a pattern soon.”

    “So what did you say on the news?”

    “Nothing much. Just reminded people of the case and the other it’s linked to now. I don’t want to forget Magda. So others shouldn’t, either.”

    X moved away from the door. He didn’t want to hear any more of this. His father was a hardworking man, but he sometimes got blinded by his own accomplishments. X picked up the old case file, tucked it under his arm, and slipped out of the office. 

    His father caught him as he walked across the hallway. “Hey, you! How’s it going?”

    “Okay,” X said.

    “Just okay?”

    X nodded. He tried to angle his body so his father didn’t see him with the file. 

    “You hear my big news?”

    “Here and there. Yeah. Good for you.”

    His father smiled again. “Anyway, I’ll tell you more at dinner. You used to show such promise as a detective, Michael. I wanted to tell you again that the door was still open. Still a possibility for your future.”

    X nodded. His father’s expectations, while not a lot in comparison to other people he knew his own age, felt like a heavy weight. “I’m going to go now.”

    X slipped into his bedroom after his father nodded. At his desk, he opened up the file and stared at the pictures, the reports, and his dad’s handwritten notes without a word.

    In the early 1980s, before X was even born, a body had been found inside a field around the Scarborough bluffs. The woman had been identified through her clothing only. She was a drag queen singer at a local gay bar, performing under the stage name of Magda. That was it. No “real” first name, last name, bank account, or address. She had been paid in cash under the table and there was no record of where she had lived. No photograph or video of her performance out of the actual make-up and her knee-length blue dress to help provide insight to her life. 

    Her body had been found wearing the same dress, though the blue fabric was torn and stained with blood around her waist. Magda had been mutilated when the local cops stumbled upon her body after a noise complaint nearby. At first, they thought she was a dog or something else that had died and attracted insect life. As soon as they saw the blue fabric, they knew they were wrong.

    The first photo of Magda inside the file, dated May of 1982, showed a body that was absolutely covered in mayflies. The next image showed Magda’s face, pale and sallow after being left out during a rainstorm. A small mayfly, with its odd hooked wings, positioned itself on her left cheek. If not for her eerily pale skin, X would have thought she was alive and posing with the creature, as if the mayfly was her butterfly and this was the last stop before metamorphosis. 

    Magda had always been around for X. He knew she was a woman – even if her “frank and beans” had been cut off and lost into oblivion, and no one referred to her in female pronouns – X still did. He thought it was his duty to, in the same way people lit candles for saints, though surely saints must have better things to do than answer mundane prayers.

    When X was older and figuring out more about himself, he drew closer to Magda. He thought of her, covered by a myriad of insects with eyes that seemed to see into a million different ways at once, and he wondered about her life. He saw her slashed throat and the blood that soaked her blue dress from where her genitals had been cut off. There was just so much blood. If not for the jagged neck wound, X would have thought she’d bled out from between her legs alone. And if not for the vicious way men often attack transgender women, X would have thought Magda had done all of this herself. That she had lied down in the middle of a field, cut off the parts she no longer wanted to keep, and then gathered the insects so she could transform. 

    But something had gone wrong. Magda had stood in front of the wrong audience and said the wrong line. She was sliced across the neck to silence her and then the rains came as her attacker left her for dead. Instead of butterflies, she got mayflies, and the whole thing was all really too short-lived. 

    X sighed. He knew that his father was a trope. Each cop, no matter where they were, had an unsolved case that they kept at the bottom of their drawers and brought out during slow news days. X realized Magda’s legacy beyond death now was even larger than what had existed when she was alive. He was glad his father was keeping her image in the press, even if it did have a high cost. X thought of the new DNA strand in her case and the chance of solving one of Toronto’s oldest—but forgotten—murder cases. 

    Would it be good or bad? To solve something like this and have no one pay attention seemed like it would hurt more. And X knew that pain; the pain of finally revealing something honest and true, only to have everyone misinterpret its meaning. He could imagine his father speaking on the news, saying the t-word, using male pronouns, and making an accidental mockery of a woman’s final legacy. 

    X slid the photo back into the case file. He lay down on his bed and stared up at the ceiling, until he was called to dinner by his old name. 

    ***

    “Do you remember the game?” X’s father, Jack, asked at the dinner table. He had dominated the conversation right away with his most recent accomplishment. Shelly and Jesse, X’s siblings, had needed to be caught up on the case. They were younger than X and didn’t remember the woman’s death. When he had reiterated the facts and gotten no reaction, X’s father had resorted to bringing up the childish game school kids had thought up for the few years surrounding Magda’s death. 

    X swallowed hard, remembering the chants like his own heartbeat. 

    “You know,” Jack went on. “Some of the kids used to toy around. It was kind of like that Bloody Mary mirror-game.”

    Shelly held her hand over her mouth. “Oh, man! I remember playing that. You just stood in front of a mirror and said ‘Magda Mayfly’ seven times and then she was supposed to appear.”

    “And kill you?” Jesse asked. 

    “No, that was Bloody Mary,” Jack said. “Magda just took your balls.” 

    “Or breasts,” Shelly added. “Come on now, we can’t all talk about our balls.”

    X’s eyes went over his plate. His mother noticed and made a small noise of disapproval. “Maybe we shouldn’t talk about this at the table. It’s not the right company.”

    “It’s fine,” X said. “It’s one of those stories that stick with you. They never found her killer, right?”

    Jack shook his head. “Even with this new evidence, it will be quite hard to prove or find anyone.”

    “Maybe she didn’t have a killer,” Jesse added. “Freak like that could have done it alone.”

    “Yeah and the throat cut was just an added benefit?” X scoffed.

    Jesse shrugged. “Don’t know. Not exactly my department.”

    “We should play,” Shelly suggested eagerly. 

    “What? No, we can’t!” Jesse said, twisting his face into a frown. “I want to keep my balls, thanks.”

    “Oh, come on! They can’t have even descended yet,” Shelly quipped. Their father tried to stifle a laugh while their mother merely looked horrified. 

    “Kids, come on. Let’s just have a nice family dinner.”

    “I apologize, Jill. This is my fault. I brought it up. With a new lead I figured…”

    “Okay,” Jill said, holding up a hand. “Jack, that’s enough. No talking shop at the table.”

    Everyone’s eyes went down to their plates. X blinked slowly as he worked on cutting up the rest of his steak. He kept seeing the image of Magda’s body, bloody and blue, her face pristine as the mayfly landed on her cheek. He didn’t want to think of the childish game that made her into a figure who wanted to tear little kids apart. 

    But, X thought, what if it wasn’t like that at all? He thought of St. Sebastian being pierced by a dozen arrows. He was at peace as he was being mutilated. He gave himself over to God even though it meant piercing through flesh, muscles, tendons, and blood flowing from his wounds. The people in the eunuch forum tried to make the same connections to themselves when they cut off their testicles. They wanted to become holier than their bodies – modern saints in their own regard. While X appreciated their method, he didn’t always buy into the reasoning. Even if X knew that he was going to be rejected from surgery, and he would be back at square one, he didn’t want to cut off his own balls. He wanted to be honoured, in a way he hadn’t been honoured before. He supposed that was why he thought of Magda a lot. What if Magda’s fury could be transformed into something better? 

    X shifted in his seat. He felt a slow burn in the base of his stomach.  

     “Excuse me,” he said. “I think I’m done now.”

    His parents didn’t argue. As he walked to his room, he felt everyone’s eyes on his back the entire way.

    ***

    Shelly knocked on his door after dessert.

    “You missed cake,” she said. “It was chocolate and full of nuts. I mean… Oh God. How do I already ruin this?”

    X sighed. “You haven’t ruined anything. You don’t need to walk around me like I’m a landmine.”

    Shelly folded her arms across her chest. “Do you want to talk? You seem like you want to talk.”

    “I talk all the time. It’s a lack of talking that I appreciate at home.”

    Shelly laughed. She stepped inside his room and then sat on the chair opposite his bed. “How are you holding up, really, though? How are jobs, girls…and boys?”

    X shrugged. “Non-existent. It’s hard to explain to people how I feel about my own body, let alone how they should feel about it.” 

    “I get that. I mean, I hate telling some guys I’ve been with women. Because it feels like I’m a show to them sometimes. I suppose that’s like the same?”

    “Similar,” X said. “But not the same. I’m not so much trapped in my body as people’s perceptions of it. That’s where the trans stuff gets lost. I’m not hacking away at my skin to get at something deeper. I’m hacking away at people’s language that tries to break me down.”

    “I like that,” Shelly said. “You should write a book, then.”

    “All trans people write books. I don’t want to add to the noise.” 

    Shelly frowned. She looked at X’s desk and spotted the file with a groan. “He’s going to need that back, you know. Especially now that the case is evolving.”

    “I know.”

    “You trying to help him solve it?”

    “There’s nothing to solve. Another trans woman murdered. It’s the easiest case in the book.”

    “So who killed her?”

    “Everyone. She probably knew she was in danger before this happened. We want to think it’s some supreme evil that killed her, when it’s really a chain event. Someone doesn’t take her seriously when she reports a threat. They convince her she’s going to be fine. Then a guy appears from behind a corner. She calls out, no one listens. Cut and die. Simple and horrible.”

    There was an icy silence between them. Shelly opened up the case file and hissed slightly at the first image. “So many bugs. I would get the heebie jeebies just looking at this stuff. Thank God I didn’t do criminology.” 

    X remained quiet. He tried to battle away the idea of Magda dying the way St. Sebastian had. There was nothing honourable, X knew, from all the stats he had read about trans women and murder. But there was that small bit of hope that Magda was not a statistic, but a saint, that still lingered. 

    Though X tried to ignore Shelly, hoping that maybe she’d go away, she flipped her blonde hair out of her eyes and smiled at him again.

    “What’s up? More than just the usual shit is upsetting you tonight. Mom and dad are fairly good constants in that they’re always dense and don’t always get the gender stuff. So there has to be more.”

    “Therapy sucked.”

    “Therapy always sucks. Therapists are terrible. You know I won’t go anywhere near any profession that has the word rapist hidden inside of it. It’s a trap.”

    “I don’t really have a choice, though. I have to go. They may give me what I want.”

    “Okay, fine. We all have to make tough choices. So why does it still upset you?” 

    “Because I know they won’t give me what I really want.”

    Shelly nodded slowly. “You think you’ll be denied for surgery.”

    “I won’t pick a side. So they can’t pick it for me. I’ll just look like a crazy kid, going through a phase.”

    “Well, are you?” 

    X sighed. “Isn’t everything a phase? Our life is made up of a series of phases, changing from one thing to the next. We must go through phases in order to survive. It’s not a valid reason to deny me surgery.”

    “Okay, okay,” Shelly said, holding up her hands. “So why do you want something as permanent as surgery? It’s a huge decision M—X. I’m sorry. But that’s true. You can’t just go backwards and undo it.”

    “You can, though. More or less. That’s what HRT is for. Maybe I’ll want hormones. But I know right now, I don’t want this.”

    X didn’t gesture or specify what “this” was. Shelly didn’t ask. X shifted and spoke the next part quietly. 

    “Show me a permanent part of the self—that’s all I’m asking for. Show me a permanent anything. We all grow and change. So why can’t I?”

    “I don’t think our eyes change size,” Shelly said after a pause. “That’s the only part of us from when we were born that stays the absolute same. Just the eyes.”

    “Okay then. I won’t change my eyes,” X said. “But everything else? Yes.”

    “You should ask Magda then,” Shelly suggested with a smile.

    “Don’t you think I’ve already tried?”

    “Oh, man!” Shelly gasped, her eyes wide. “Have you? What happened?”

    X was quiet. In truth, he hadn’t asked Magda for anything. He had forgotten about the childish game until his father brought it up at dinner. X caught a glance of the crime scene photos in front of Shelly, who also followed his gaze. They both considered the image for a moment.  X felt the overwhelming aura of being pierced by something greater than himself – while Shelly just shuddered.

    “That’s so painful though. I can’t believe anyone would be suckered into doing that. It seems worse than dying.”

    “It’s not,” X tried to say. “It’s not mutilation. It’s… honour. Like St. Sebastian.”

    “Huh. I guess I can get that. But while I understand it, X, I don’t support it.”

    “What do you mean?” X demanded. He had felt so close to Shelly not five minutes ago. Out of anyone in this house, she was the closest to a friend. Now she was setting up a limit to her sympathy.

     “You’re not a saint, X. Don’t even try. You’ll only end up getting hurt.”

    X laughed lightly under his breath. He was already hurt. He was already trying to be something he wasn’t and whenever he didn’t measure up, each group he visited had their own interpretations on who that person should have been. X suddenly thought of the bugs covering Magda’s skin again, leering out at the people who had once leered back at her. At least her death had allowed for some kind of poetic justice. 

    “I don’t want to be a saint, Shelly,” X said. “I want to stop being a specimen.” 

    “So get a job. Move on. You’d be quite surprised at how quickly your life changes once you make the first step.”

    X’s smile was harsh on his face. He walked over to open his door and then extended his hand out. “I’ll keep that in mind, Shelly. Thanks so much for you input.”

    “Good! Can I get you some cake then?”

    “Sure,” X said. “Why not?” 

    ***

    As the days went on, X’s thoughts of Magda grew in frequency and ferocity. The news report Jack Donald was on aired, and suddenly, everyone else seemed to remember the game kids played from years ago. Like Bloody Mary and Candyman, kids were staring into their mirrors again, tempting fate by repeating a name, and then turning around to see what lurked in the shadows. X thought it was all harmless at first. People were living in the rumours of killers and victims, playing good and evil for a while. 

    But when X walked to group a week later, he saw the ambulance outside of one of the local apartments. He knew it was Cayden’s place. He approached the complex, weaving in between the small crowd that had begun to form behind the police line.

    “What happened?” X asked.

    “A kid was stabbed or something,” a woman answered without taking her eyes away.

    “Is he all right?”

    “I don’t know. At first someone said that a person had been shot. I didn’t hear any gunshot so I wanted to be sure. But now people are saying it’s arrows? I don’t even know. None of it makes much sense.”

    X felt a chill pass through him. If this really was Cayden, then X knew it was far more likely that someone had found out he was trans and stabbed him. That was the most likely horror, even in Canada. But the hum of the crowd turned into a million little insect wings inside X’s ear. He heard in the back of his mind a small child chant, “Magda Mayfly.” 

    X looked at the entranceway of the building. Paramedics in blue walked back and forth, trying to make a pathway. X strained his eyes to see beyond the front door. When he glanced up to find Cayden’s second floor apartment, he could have sworn he saw a faint reflection of a woman in the window. A woman with long black hair and a blue dress. Someone he had seen before. 

    “Who was hurt?” X asked. “Does anyone know their name?”

    “No, but I see him – or her?—all the time at the bus stop. They look odd.”

    X nodded. He knew it was Cayden then. Even as the paramedics brought down the stretcher and kept his face covered, the green shirt gave him away. And the seeping blood stains over his chest.

    “I don’t see any arrows,” another woman said.

    “That’s because they probably took it out,” the first woman said. “But I know what I heard.”

    X kept his eyes fixated on the front hall. Kicked into a corner, he saw a brown package with a stamp on the side. The gender clinic. X held onto his backpack strap tightly. Cayden had gotten his response from the interview. And if things had ended the way they seemed to, the answer must not have been good.

    The ambulance pulled down the driveway and into the street. The lights flashed blue and red, siren piercing. When it disappeared, so did the crowd. X moved towards the door and grabbed the brown package. 

    CAYDEN MARSHALL was displayed on the top. Inside was the form-letter they sent for denied patients. Dear Cayden Marshall, we are sorry to inform you… X stopped reading. Buried deep inside the envelope, hidden in the corner, was the empty shell of an exoskeleton.

    X ran down the next street, away from therapy, and towards his parent’s house.

    ***

    Dear Michael Donald,

    The letter set X’s teeth on edge. He could sense the form-letter of denial that followed. He thought of Natalie and wondered if her song-and-dance routine had worked for the committee. He wondered if he should have lied in his interview—just to get what he wanted. What was so important about honesty if it never got you what you wanted? If it only ended in blood?

    We are sorry to inform you, but we are denying your request for surgery. Due to the limitations…

    X didn’t want to read anymore. He crumbled the letter in his hand and then tore it in two. His skin was hot as anger flowed through his veins. He knew this was not necessarily the be-all or end-all of his life. This was the first deny he got. He could reapply again. And even if they kept rejecting him, he could always pay for the surgery himself. He would find a doctor, one that would take the money, and do what he wanted without questions or qualms, without autobiography or mythology of his own gender.

    That was it, wasn’t? The committee wanted a story they could tell. They wanted an inspirational tale of hope and redemption after X found his true self and went towards it. But he had no true self. All he had was a body he was forced into and perceptions that didn’t make sense.

    Maybe Shelly’s right. Maybe he should just get a job and move on with his life. Pay for the things he wanted. Try to find a different name, other than X. Move from one phase of life into the next. Grow up instead of transform.

    X turned over these ideas in his mind. No one was in the house. He was relieved, for at least something was going his way. The more he thought about his life in the future, the more it didn’t look like a Lifetime movie, but something dreary. A horror film, a surgical spectacle. He didn’t want to become like the people in cages, tearing themselves apart just to become whole. That was what happened to Buffalo Bill in The Silence of the Lambs, wasn’t it? Bill didn’t skin his humps; he made a woman suit because no one took him seriously. The times may have changed, X thought. We may have Laverne Cox and World Pride in Toronto, but X knew he was still living at the margins. He was a horror story, etched and stitched onto his body, for everyone to see.

    Alone in the house, X debated in sheer moments of blinding panic, what he could do. He logged onto the eunuch forum and read the instructions for self-surgery again. Find a bathroom. Make sure it’s clean…. The whole thing made him gag—but it also gave him a faint flicker of hope.

    Then he heard the buzzing. Soft and insistent, like a fly caught inside the blinds desperately trying to get out. X walked around the house and touched each window, trying to set free whatever had gotten inside. He found nothing by the time he got to his father’s study, where the file for Magda sat in the centre of the desk. For a brief moment, he smiled. 

    Not a multination, he thought. But honour. 

    He moved into the bathroom and closed the door. When X looked into the mirror, he didn’t see himself, the way so many trans kids do in transgender fiction. Instead he saw his future laid out before him, finally within his grasp. He counted backwards from three, before he began to speak.

    “Magda Mayfly.” It rolled off his tongue like larva and landed into the air like the flutter of wings. “Magda Mayfly. Magda Mayfly.” 

    This would eradicate himself. This would remove the testosterone from his body. It was not irreversible, but it was a huge change. Did he want this?

    “Magda Mayfly.”

    He thought of the therapy groups and the surgical lines. The money and the time. He had already spent so much of his life waiting. Waiting to be solved, waiting to be called next, waiting to be interviewed. He could be closer than ever before by just saying a name.

    “Magda Mayfly.”

    He thought of the actual mayfly now. The final moult of the naiad is not the adult form, but instead a winged subimago that resembles the adult form. Some species only last a couple minutes in this stage before rocketing towards adulthood. The mayfly’s short life span is imperative to its survival. 

    “Magda Mayfly.” Six times said. X waited on the balls of his feet. He said the last words like a sigh, “Magda Mayfly.” 

    His eyes closed. He waited. 

    Nothing. 

    No sound, no light, no nothing. He opened his eyes and looked into the mirror. He expected to jump, seeing the dead-eyed expression of a murdered trans woman looking back at him. But there was nothing—the kind of nothing that bred nihilism and suicide. The kind of desperation he didn’t want to tread on in case it bruised his skin. 

    “Fuck,” X said aloud. He walked out of the bathroom, his skin heavier on his body. He had dared himself to think of a better life. Now that everything remained the same, his disappointment was infinite. He wasn’t quite sure what to do. 

    He lay down on his bed. Staring at the ceiling, his lungs suddenly felt heavy. His stomach was upset. Something between a sob and a scream come out of his mouth. When he opened his eyes, a single fly moved between his lips and out towards the ceiling. The subimago mayfly did a quick loop above his bedroom and then landed on his cheek. The wings grow larger against him, its lifespan almost complete. 

    X smiled. He imagined the bugs covering his body, before he fell into a fitful sleep. 

    ***

    X woke up in the emergency room. Pain like a pressure point throbbed at the centre of his body, expanding lower towards his legs and back. He couldn’t hear anything distinct, only buzzing and beeping of machines. Lights danced on his eyelids; red, and then blinding white, before it was dark again. The smell was harsh, antiseptic and copper; a patina of thirst coated his mouth. 

    But he smiled in spite of it all, because he knew it had finally happened. 

    “Don’t – no, don’t try to sit up in bed,” someone called to him. A heavy hand on his shoulder, pressing him back down. “You’re been through quite an ordeal, Michael.”

    “X,” he coughed. “I’m X.” 

    “Right.” His mother’s voice now. “He wants to be called X. I thought it was a phase. I thought…”

    “It’s okay.” His father’s voice now. Strong and stoic, probably gripping his wife’s hand. “We didn’t know. We shouldn’t have left him alone.”

    X opened one of his eyes. Shelly and Jesse were by his side. Jesse looked bored, but Shelly’s blue eyes were wide with awe. 

    “I didn’t think you had it in you.”

    “I didn’t,” he said. “I had some help.”

    “Who?” his father asked. His mouth was hard, the lines deep around his eyes. His cop-face. “Who?

    X smiled again. He lay his head down on the pillow instead of answering. 

    “You know, you’ll have to take hormones. You will have to decide,” Shelly said.

    “Maybe,” X said. “But not now.”

    He looked back up at his family. He thought he saw Julia in the corner, speaking in hurried tones to some of the nurses, along with a few other people from group. There was light behind them, like an aura. 

    “Where’s Cayden?” X asked suddenly. He tried to sit up in bed again, but the nurse held him down.

    “I think he’s at a different hospital, not at St. Michael’s.”

    “Okay,” X said. “So long as he’s all right.”

    There was more chatter around him. X felt the sudden release of pain as morphine kicked in.

    “I think you should leave him alone,” the nurse said. “He needs to sleep for now.”

    His parents looked at him with concerned eyes. They eventually nodded and followed Jesse out the door. Shelly’s gaze lingered, half in exalted joy and half in horror. When she exited, Julia followed without another word. The nurses left, too. 

    “Is that it?” X asked. Though it was difficult, he gazed around the hospital room. When he saw a familiar body with a blue dress and dark hair step forward, X smiled again. 

    “Thank you.”

    “Not at all.” 

    She left without another word, her voice and image always short-lived.

    END

  • 31 for 31: The Plague by Eve Morton

    This is the story that started it all, so to speak.

    “The Plague” was the first story that I published professionally. My friend Derek (of speculatingcanada.ca) had posted the call for submissions for his friend’s publication Postscript to Darkness. The call sounded doable: a short story that was speculative in some way, and was under 3000 words. The pay was decent, too. Enough to motivate me–but not enough to make me think I had to be too professional or serious.

    And so I wrote this little story I had in my head about a queer kid surviving the apocalypse and what that would feel like. In some ways, it’s a new beginning–and for a queer kid, that is sometimes the best thing we can get.

    So I wrote the story. I enjoyed writing it.

    And then it was accepted.

    And then I got to do a reading of this story in downtown Ottawa with other authors, some who have gone onto serious good things. That night was really magical for me. It was the first time a life of writing–and writing really weird things–seemed completely viable.

    Even fun!

    What a nice new beginning.


    The Plague

    No one ever really remembers a plague. It’s not like a war, where the planning, battles, and deaths are all categorized at once. Each step is made with the conscious fact that this will be history one day. In the present everyday life of war and destruction, an archivist is happy. There is always something to do. 

    But a plague is pieced together like a puzzle, always after the fact. It cannot be foreseen and even while it is happening, many people move about their daily life unnoticed and not affected. It is always understood after the deaths. Not the first or the second—these are merely incidental and could have very well been accidents of fate. But by the two hundredth or two thousandth, then something is happening. Only when one death tips into many deaths does it become history. When it is worth remembering and learning from, it is given a name. 

    Back during the cholera epidemics, John Snow tried to solve the mystery of the sickness. There was no such thing as bacteria and germs were thought to be spread through the air. The plague doctors wore bird masks stuffed with herbs and home remedies in the beak, hoping to keep away the death and not breathe it in. People avoided certain areas where the dead were piling up, but they did not look at the water. Snow followed an inventible ghost map of sickness, and later realized it was emerging from one pipe where everyone drank. Even without seeing the bacteria with a microscope, he knew the existence of the monster that was taking people one by one. As soon as the mystery of cholera was solved, then it could move onto history. Plagues are always created backwards, after the ending is known. 

    ***

    When my mother got sick, I was twelve years old. She called to me from her bed one morning, her voice hoarse and grainy. It was the sound of two bones rubbing together in sand, trying to sound out the syllables of my name. 

    “Abigail. AB-A-GALE.”

    I didn’t even fight her when she used my birth name. I just got up and gave her water to try and make the sound behind her voice stop. I gave her soup and other fluids, but nothing worked. I changed the sheets and tried not to touch anything. I washed my hands and I showered regularly. I wanted to stay home, but she told me to go to school. When I arrived and sat in my class, I counted the heads of each person who was there. Three students were away. It is just a flu, I told myself. 

    But I stopped going to school when three students became five and I could hear the same dried-out hollow voice in others. I went to the library before I left, wearing winter gloves though it was spring, and took out books on John Snow. I stopped showering, in case whatever was happening was in the water and it could get into my mouth or eyes. I boiled all the water in the house before anything touched our lips. I drank and did not get sick, but my mother, already sick, refused everything I gave her and spun in her bed at night. 

    It is only the water once, I thought to myself, and John Snow has already claimed that for his history lesson. I looked away from the pipes and the books collected dust on my shelves. I did not go to school for days, then months, then years. I learned more in my house than anywhere in the world. 

    To me, the plague started with my mother. But that is only because I know the doors and the roof and the walls of our house. I know our private history, the photos on the walls and where the dead cats are buried in the backyard. The plague always starts inward like this and spirals out. I only became aware of what I could see and feel with my own hands. But I did not know the history that was happening outside my window, not for a long time. 

    Really, the plague stated halfway around the country. Some sheep farmer was the first one to display symptoms. He had gotten too close to the dirt and to the bodies that were buried underneath, stepping on the ground in bare feet. Later, he would be rendered mute in bed, just like my mother, spinning like a millstone at night. The bodies underground were old corpses from one of the wars that Napoleon had started. I can’t remember what one exactly—Waterloo or the French Revolution—but the battle name is not really important. What I do remember is that Napoleon wasn’t really a short man. He was normal height, maybe a few inches less than average, but he was probably taller than I was when I was reading about him. He was only portrayed short to humiliate him by his enemies. Maybe that was why the bodies from underground wanted to lower us, to reach up and grab us by our toes and bare feet. They wanted to pull us down to their level. 

    Zombie is not quite the right word. Zombies come up to the surface and demand attention; they bite and infect you. These creatures were not solid and bold like zombies. They had broken themselves down into tiny pieces, the past history of a group of people, and they demanded to be remembered by pulling us all down with them. It got lonely underneath and we were doing a terrible job of keeping track of history, of keeping track of death. 

    When I checked my mother, she had no marks, no bite wounds. But the flesh on her feet glowed pink and I knew it was something in the garden. I scanned the ground, always wearing shoes and hopping on cement, to see where the disease had started. But there was no distinct portal, no distinct entryway. The sheep field was incidental; the farmer may have been the first infected, but there was nothing special about his land. The invasion of the illness was really something that had been brewing ever since Napoleon got the first short joke. There never is a distinct beginning to plagues, only our own interpretations. 

    I cut my hair first. I thought it may have had something to do with the illness, the same way arsenic and other poisons linger in follicles. But I scanned its roots and saw nothing, so I began to learn to start again. I wanted to be like John Snow so badly; I thought I had to be him in order to find the answers. After I read his books, I’d then stand in the mirror, my chest flattened across my skin from binding, and will myself to figure it out. I needed to know where it came from and its origins, how it could start so small and then explode out. I needed to understand that it could somehow get my mother, but not touch me. I needed to understand why we were so different, and yet we shared the same last name and facial features. Even when I stopped eating as much and my cheekbones stuck out and my hips disappeared, it did not seem to matter.  Not enough, at least. I was still her daughter to her, and she was still calling me Abigail from her bed while I pretended to be John Snow. Even if she couldn’t see my face, my bound chest, or my new cropped hair, she knew my voice and who was in the house with her.  Even at our most desperate, when she was dying and I still could not figure out the plague, I told her my name was only John Snow once. She never answered me and I don’t think she ever heard. I didn’t like the way the name sounded anyway; it was hollow and too blunt. It was only the water once, I thought. And there would only be one John Snow. I was not him. But I was still left wanting more than what I was given, what had been passed down from generations, and what I saw disappearing right in front of me.  

    I watched as my mother grew drier and drier. Her skin flaked off and into the wind. Her voice became distant and then it was nothing but bones rubbing together. The last time I went to see her, she was a pile of dirt on the bed. What was left was formed perfectly to her body, like a mummy, but in a thousand tiny pieces. The window was inexplicably open, and in one gust of wind she was gone. 

    This is how they all went. This was how they all left us and died. They touched the ground and the past infected them. They let the past hold onto their bones and take everything else away. And then by chance, they floated into the atmosphere, into the air. So long as you did not touch the ground and let the past get to you, you did not appear like ashes and dust. 

    I was alone in my house for weeks, piecing the mystery together. Others were also figuring it out. Men walked by my window regularly on stilts, their wooden limbs creaking as they learned to take new steps again. Other people realized it came through the dirt, and not the air. People began to talk to one another through a mutual exchange of their feet. To look at the sole, and not the soul, was oddly moving.

    Everything else in the world was the same except for this elaborate stepping stone game, like pretending the floor was lava when you were younger. Only once touched, the lava would burn you from the inside out, boiling away your blood and organs, turning you into ash and dirt without the least bit of pain. There was only lethargy, until you were dried out worse than the mummies in the museum, and then the wind took you. Peaceful, almost. Most people want their ashes spread across the world, as if it was the key to immortality, to be many places at once.

    One day, I moved to my still-open window and watched as pack of stilt walkers traipsed by. I went outside, being careful to stay on the pavement my house was surrounded by. The stilt walkers reached so close to the sky that I could barely see their faces. 

    Someone threw me a pair of stilts and they rattled to the ground. From up high, he yelled, “We could use someone like you.”

    I did not know what to say in return. I showed him my feet. 

    “Good. Good.” He smiled. “Let’s go.”

    I took his gift with shaking hands and tried to learn my new motions. From atop my wooden legs, I took in a sudden breath of the shallow air. Like looking down the water pipe, I began to understand what John Snow had felt. I was seeing the world and its history the way I had never witnessed before. This was a plague now, to me and all the others around. I could see the empty houses and the fallen bodies, the dust that spread up into the atmosphere and was almost thick enough to block the sun. I learned, as I walked with these new men, that they were calling the illness The Dust Disease. It now had a name and time would remember us, either as victims or survivors. It was a chance to start again. 

    “What is your name?” the man asked me. 

    I was still bald from my hair cutting and I looked very different than the soles of my feet. I was wearing what my father had left behind, not wanting to wear my own clothing or tarnish my mother’s memory by wearing hers. The pants and shirt were old, and now covered in dust, but it looked okay. The man regarded my new jacket, too big in the shoulders, before he looked at me and asked my name again.

    “I’m Max.”

    “Nice to meet you, Max,” he said with a smile. He introduced himself, and then we kept walking. It was hard to work my new legs at first. But he was patient, and waited for me as I caught up to him. I left my house behind me, the ash and dirt of others lingering in my path.

    ***

    This is what I have learned so far, now that I am fifteen. We are still piecing together what has happened to us, but we now know that we are not alone. More days past by and we find others on slits, and others who blow right by us in the wind. This is not a war, something deliberately made with the intent of remembering, recreating, or with a distinct end. This has all just happened, almost by accident, and it will keep going until someone like John Snow has a need to track it down. 

    But I am not John Snow anymore. I am Max. As the man beside me calls me by my name again, more people on stilts join us. We walk into the night.

    END

  • 31 for 31: Skeleton Key by Eve Morton

    I hope spooky season has been treating you well!

    I’ve really been enjoying going through my old stories to compile this list. It has reminded me how much my stories have changed–but also remained the same.

    One key theme that’s come out is my resistance to, or fear of, institutions, doctors, and the psychological industry. It can be so easy to declare someone unfit or unrecognizable in some way, and then have them turn into monsters on paper. So often that leads to a self-fufiling prophecy, and people who are declared monsters may as well become them.

    Or become haunted by them.

    The next story is one of many stories I wrote on those themes, but exploring them through the lens of gender transgression, transition, and trans identity. My PhD dealt with these themes, too–but I never got to truly express how horrible some of these scenarios were, or the lingering haunted feeling that stayed with me long after penning my research papers.

    “Skeleton Key” is a story that explores what is left behind when you are not recognized in a medical system–and then in a death industry–where your birth name and birth identity is the only thing that is ‘real.’ Be warned that this story–and many more invovling trans protagonists–confront the realities of being a minority. Sexism, racism, and many other -isms are the ‘monsters’ in these stories–but there are also literal monsters lurking around the corner. Because why not have both?


    Skeleton Key

    The last time I heard from Sally was in the ER the night I broke my wrist. We spent two hours waiting before a doctor saw me. Then, when my sex marker (F) didn’t match how I currently looked (M) or my name (Ryan), it was another two hours before the doctor came back with x-rays. 

    Sally made a jerk off motion behind the doctor’s back when he left for the second time and refused to meet our eyes. When we were alone, she made the jerk-off motion to me, too.

    “I bet that’s how you broke it. Too aggressive with your sex toys. I know you’re all about sex positivity, but you positively snapped that wrist.” 

    I laughed. Sally and I were quite the pair. I looked like a twelve year old boy before the testosterone shots made my chin sprout fuzz and my body bulk out. Her hormones made her face heart-shaped and gave her breasts. She was thirty-seven, but still dressing like she was in tenth grade and wanted to get the footballer’s attention. 

    I couldn’t blame her. I had broken my wrist trying to impress the local jock at my gym, only to slam backwards and snap against a wall. 

    “You know, you’re right,” I told her. “I was jerking off when I broke this.”

    “Told ya.” 

    I already knew the procedure for broken bones in the Ontario ER system.  After my x-rays, I was supposed to get a cast, but at this rate, I’d be there all night. 

    “You don’t have to stay, you know,” I told Sally. “Thanks for driving me, but I know you have a date.”

    “I do. A pretty date.”

    “The guy with the red car again?”

    “And the scar on his chin. The scar and the car,” she said and laughed. She was dressed in two inch heels and a pink top that matched the highlight of her eyes. When I’d met her in group, she said pink was her favourite colour. No one let her say that before she was thirty five, so she was catching up for lost time. Her nails glittered as she went through the file the doctor left in my stall. She held up my x-ray towards the light, her nails still shimmering.

    “Goddamn. It looks like you fractured this.”

    “Nope. Just a lot of little breaks,” I repeated the doctor’s words. “One of the most common injuries in adults. Not a big deal.” 

    “Yeah, but if you’re not careful, your bones will be all you have. So you gotta take care of ’em. That’s why you always gotta be on hormones. If you ever get your uterus out, you know to take them forever and ever, yeah? Don’t be like me. Don’t cut your balls and run.”

    I didn’t laugh at her joke this time. Her harsh lesson in biology had been her follow up to her favourite colour story in group. She’d gotten an orchiectomy, thinking it was the smart way to rid her body of testosterone. As it turned out, hormones are good for bone growth. And not just menopausal women break their hips. Sally had shattered her hip pelvis when she was thirty-four, three years after removing her nuts without actually transitioning. So when everything was all repaired, metal holding her skeleton together, she figured it was better late than never to start liking the colour pink. 

    “And if, you know, God Forbid we ever die,” she added, her tone just the same as when she asked if I had jerked myself off into this broken wrist, “our bones are gonna be the only things that identify us. So always make sure to check with your dentist. Change your name there first. And everything else, well, die in the proper clothing. And hope to God gender doesn’t’ exist in the goddamn afterlife.”

    “Stop,” I said. 

    “Too dark?”

    “Yeah, kind of. And my head hurts.”

    “You’re probably hungry. I’ll get you a snack.” She dropped the file back down on the counter and came back with a package of chips. We both ate them until the doctor came back and I was casted up. 

    “I have to go, love,” she said. “I have that big date.”

    I waved with my other hand, not in a cast. Sally raised a brow and grabbed a Sharpie from the counter. “Let me leave you with a last laugh,” she said. She wrote something on the back of my cast, something I could barely see without twisting my body all around. 

    “There you are,” she said. “I’ll see you around.”

    “Have a good night.”

    The next day, she was gone. 

    *

    I had theories about what happened to Sally. Most of the happier ones ended up with her living it up with the scar in a brand new car, him paying for her surgeries, and purchasing a mansion in Tahiti. 

    But I knew it was far more likely that the guy had shattered her skull instead. 

    When my cast came off six weeks later, I read about a body found in a local park. The doctor called me in from the waiting room before I could finish the article, so I tucked it under my hoodie and took it with me. 

    “Do you want to keep it?” the technician asked me, holding up my cast. “Sometimes people want to keep it.”

    I was about to say no, when I saw Sally’s writing. She’d signed the cast before leaving.

    I held open my backpack and the technician gave me the remnants of my cast. On the bus home, I read the newspaper about the dead body in the park. No head. No hands. No clothing.

    “It’s her,” I told my roommate. I put the newspaper down on our table, but he barely looked up from his video game. “It’s Sally. The body they found in the park.”

    “How do you know for sure?”

    Because bones were all we had. I didn’t say it aloud. I continued reading the article. The entire body hadn’t been found, and at the rapid rate of decomposition, it wasn’t likely they’d find any other pieces due to scavengers. Her pelvis, the one that she’d shattered and that doctors had to piece back together with metal and screws, must not have been found because there was no mention of tracing the serial numbers. 

    “DNA testing,” a reporter said, “noted that the skeleton belong to a man.”

    My heart sunk. This was Sally, I was sure of it now. I still had a toothbrush from when she’d stayed over and we talked all night. But if I came forward with her DNA, her body would be released back into her family. They would give her back her old name, bury her in a family plot, and call her their Darling Son.

    So I stayed quiet. I wrapped my cast with her last words on it with the newspaper that announced her death and hid it under my bed.

    Six weeks after that, I walked by the local commentary and saw them burying a bunch of bodies in pine boxes. Unnamed, unclaimed by family, and given a pauper’s funeral

    My wrist ached for her again. 

    *

    “You know, you have more masculinity in your pinky finger than most guys I know,” Sally told me in group. This had been after I reiterated the story of my broken home in front of everyone without shedding a tear. Absent father, daddy issues. The standard stuff that therapists wanted to hear about transgender men. 

    And I nailed it. 

    “Thank you,” I said.

    “You know, that’s not a compliment. Masculinity will be the death of this planet. So fragile. It snaps off like it’s nothing and then we’re left picking up the pieces.”

    I paused. My binder cut deep into my chest and I could barely move an inch without pain ricocheting through my body. My D-breasts were sandwiched across me, never moving. And that pain remained me of why I was here. “Masculinity is what I want, though. It’s what I need to pass.”

    “What you want is a body,” Sally said. “New skin. More hair in places you didn’t have it before. A voice. A little less fat off your chest. You don’t want masculinity. Most cis men don’t want masculinity. It’s something thrust upon you.”

    I didn’t know what to say. I couldn’t really talk with my binder so tight, anyway. I hoped my silence counted as a response. In most conversations with men, I had learned that it did. 

    “You want to get breakfast?” she asked. “I’m feeling like eggs. I think eggs would be good right now.”

    It was four in the afternoon, but I said yes. We talked all night and into the morning. I laughed harder than I had in weeks. The next day, when I woke up and saw bruises across my chest, I went to the emergency room. 

    “What have you been doing, Rachel?”

    “It’s… Ryan. My name is Ryan.”

    “What have you been doing?” The doctor asked without looking up from the x-rays. “You have four fractured ribs. Has someone been hurting you?”

    “No,” I said. “I’ve just been having fun.”

    *

    “When the hyoid bone, located in the throat,” the medical examiner from TV said, “breaks, it means the cause of death is usually strangulation.”

    I shut off the TV. Another crime drama had paraded out transgender women as set design when talking about a prostitute’s death. Every single episode was the same, all the medical and legal information a rehashed version of the previous episode. When I was twelve, I used to find these shows comforting. Someone was killed. Medical science and detective work found the killer. And they were put away. 

    Now, at twenty-seven, everything seemed to ring hollow. Sally had been dead for months. There was no way anyone would ever find the scar with the car. Even if I came forward, I could barely make a dent in Sally’s case file given what I knew. So I went to bed instead of watching TV. 

    I slept with a hand around my throat. Sick fever dreams that pinned me to the bed. Pressure on my chest, like someone was weighing my breasts down with sandbags. When the bone in my throat–hyoid, hyoid I repeated, named after the Greek word for U–snapped, my body shot awake.

    And Sally stood in front of me.

    Her bare feet didn’t touch the floor. She was made up of light and gossamer, so thin I could see through her body and to the next wall. She wasn’t wearing loud colours or sequins or pink eyeliner. Her hair was short, too brown, and cropped close to her head. She wore a jean collared shirt over jeans. One of the worst cardinal sins of fashion.  

    “Sally?”

    “Ryan. You’ve gotta help me.” Her voice was soft, but dry. She sounded far away; like she was trapped under glass or underwater. “I’m dead.” 

    “I know. I’m sorry.”

    “Shut up. Sympathy is for the weak. I need you to do something.”

    “What?”

    “You have to make me the Skeleton Key.”

    “What?”

    “Skeleton Key,” she repeated, voice softer. Her silhouetted outline disappeared against my bedroom wall. 

    She was gone. Again. 

    I touched my throat and looked at it in the mirror, expecting to find bruises. There was nothing. I stared up at the ceiling, repeating the words in my mind over and over again. Her blue demined madness splashed in front of me. 

    We have genders in the afterlife, I realized. What a cruel, stupid fate.

    I made the jerk off motion with my hand. My wrist smarted from where I’d broken it. My ribs hurt from my binder earlier that day. And my hyoid bone still ached as if it had been snapped in two. 

    Had Sally been choked? I didn’t know. I shouldn’t care how she ended, only how she lived. That had been the motto at group when she disappeared. No one had had a funeral, excerpt for private eulogies we all had in our minds. To everyone else, Sally wasn’t dead. Just gone.

    A ghost.

    I saw her–except not her–in front of me again. How do you get rid of ghosts? I Googled all the options on my phone and only came up with burning the bones, burying the body. None of which seemed to work for her. It wasn’t that Sally was a ghost; it was that she wasn’t the right ghost. 

    Make me the Skeleton Key. That was what she wanted. So I searched up that next. A skeleton key was a master key that could open any door, usually part of a hotel. It was also a novel by Stephen King, who Sally read voraciously.

    “I’m always in waiting rooms for treatments,” she’d say. “So you need a couple hundred thousand words of nonsense from King to keep you going.”

    Her voice was so clear in my mind I started to laugh again. Then I nearly cried when I remembered her rant about Carrie, the girl with telekinetic powers who went to prom. It was evidence that Stephen King was a little bit trans. 

    “What other apparent middle aged man writes a revenge fantasy using period blood and prom as the main M.O.? Come, on,” Sally said. “That’s total Venus envy.” 

    Everything we touched, everything we read, became a little bit trans because we wanted it to be. Before Sally was a ghost, she was always haunting things. 

    So of course our bones were haunted. Of course they were already cursed. If a skeleton key opened all doors, could it also put her soul back together? If I found all of her bones, could I put Sally back together?

    The thought kept me up until morning. Then I went for a drive. 

    *

    I found a metal detector, the kind that beach combers use, from a pawn shop. I brought it to the local park where her body had been found. There were indentations in the grass from the spokes the crime scene unit must have used to put up barriers from the public. When nothing but bottle caps came up in this area, I expanded my search.

    And found tire tracks. From the scar with the car? I wasn’t sure and certainly didn’t know enough about cars to be able to trace the treads. I followed them from a picnic area into the back woods. Months had passed, I told myself. I was unlikely to find anything more but bottle caps again. But the beach comber went off. 

    A screw. Metal, industrial strength. From her pelvis. I followed the beeping and came up with another pile of bones. Her pelvis was shaped like the hyoid bone, only bigger. U-shaped and caked with dirt and metal that kept it intact. Next to the pelvis, I saw scattered bones from a hand. I picked up her pinky and slipped it into my pocket. Warmth flooded me. 

    “Hi, Sally,” I said. “I’m sorry.”

    I put what remained of her hands and other small bones that looked no more than stones into my backpack. Her pelvis slipped from my hands, shattering like it must have done years before. The bone shards fell down into a pattern, then rearranged themselves. They spelled out an address.  

    135 Stevenson Drive. 

    I looked it up on Google Maps. It was a hotel at the edge of town. 

    *

    My car was the only one in the lot. A black man sat at the front desk, a thick red-covered book in front of him. He raised his eyes from the words as soon as I stepped inside. “Hello.”

    “Hi,” I said. “I don’t know if I’m in the right place.”

    “What do you need?”

    “A skeleton key.”

    “Well, I need a skeleton.”

    “A whole one?”

    “A piece of one will do. But your favourite piece.” 

    “I’m… I’m very confused.” The pinky finger in my pocket warmed again. The shards of her pelvis now were too dangerous to handle; I’d barely been able to put them in my backpack without cutting my thumbs to ruins. 

    The man behind the counter, teeth wide like china bowls, smiled.  “You need to open a door and deliver a wandering soul, I’m guessing?”

    I nodded.

    “Good. Find that person’s body. Bring me a little bit o’ bone and I will give you the key to get to the other side. Deliver the rest of the bones to the portal–the door to the next world. Then your person will make it through.” 

    “And she’ll be better there?”

    “What is she like right now?”

    “Angry,” I said. I touched my neck and he didn’t seem fazed by it, like it happened all the time. “She’s also not who she died as.” 

    “Hmmm.” He pondered this a moment. When he set the book he’d been reading down in front of him, I realized it was all blank pages. Nothing there but tiny pin pricks like Braille, expect that the man could see. He looked passed me, through me, down to my very bones themselves. 

    “How did the ghost appear to you?” he asked.

    “As a man. But she’s a woman.”

    “Her bones–“

    “Her bones lied. She is a woman. I know her as one. She knows me as a man.”

    “Are you the only person who knows she’s dead?”

    “I think. Now. But someone found her body and they labeled her wrong.”

    “There you go. Our ghosts are only memories reread too many times until they manifest. So you need to counter the rumours with your facts. You need to bring her back to life.”

    “Can’t I do that by pushing her through the portal? Bringing all of her bones here?” I asked, exhaustion seeping into my tone. I ached and wanted to sleep. I hadn’t gone to my job in two days, and I had no sick days to draw from. “I just want her to rest.”

    “You need to counter with a memory. One that will last. That’s why there are headstones. People read the name. Name stays alive. Right now she’s anonymous. So you need to bring her back.”  

    “Do I do this before or after I send her bones through the portal?” 

    “Either will do. But within twenty-four hours.”

    I glanced at the clock in his office. It said three PM, but it seemed so much later than that. “Okay. I can do that.”

    “Good. Now give me a bone.”

    I took the pinky out of my pocket and handed it over to him. He sniffed it and smashed it into dust. It fell into the book and dissolved into the pages. His eyes turned to black orbs. 

    “Thank you. You can go.” 

    “But the key–you haven’t given me anything.” 

    “You need her skeleton. She is the key.” He drew his pen and wrote down several words. “Here is the address. Bring her bones there and give her a headstone. Then she will be free.”

    *

    When I was nine, my father threw me down the stairs. I broke my first two toes and fractured my shin. As I waited with my mother in the ER, I started to see spots. We learned that he’d also cracked my skull, like he’d cracked my mother’s years before. 

    The doctor who saw me was kind and spoke in an even voice. He told me random facts about this hospital, about the X-Men when he noticed my T-shirt, and then random facts about bones. Anything he could think of to keep me awake, so I didn’t fall asleep and never wake up. 

    “You know,” he said. “When you’re born, you have almost three hundred bones. As you grow up, you get fewer, right down to two hundred and six. “

    As I waited out my concussion, I also waited for my body to get bigger so I could break less. Instead, Social Services were finally called and my father was locked up. 

    I became the man of the house, then. 

    “Your father was awful,” Sally said when I told her my version of the story. “You don’t deserve to think of awful people. They’ll shrink and shrink and shrink out of your life if you don’t think about them. The good times will grow and grow and grow.” 

    My shins ached again, like they had when I was nine, as I dug up Sally’s body. Her grave was in the corner of the cemetery with little lightning and virtually no presence. It was dark enough, and warm enough at night now, so I could do this and not be caught. 

    At around midnight, I cracked open her casket and took out all the bones. I still had her hands from the park and her pelvis in a thousand pieces. The pinky had been used to pay her way. I had everything I needed… except for her head. 

    I ached as if it’d been split open. Could I get away without having her skull? Surely I had enough. As I stacked her bones up in my backpack, I worried that she’d be forced to live her life as a headless horseman, haunting the playground and warning little children about the dangers of gender.  

    The address the man at the hotel had given me was an hour away in the middle of a lake. When no boat rental place was open, I hacked the locks, grabbed a boat, and sped out into the middle of the lake. 

    I dropped each one down and counted them up. The din of the mosquitoes sounded inside my head, but none of them bit me, as if I was protected by something.  By the time I’d reached the end of the backpack, I tilted it open and scattered her bone dust on the surface. It dissolved. The water was blacker than the night around me. Nothing happened for a long time as I waited for the crushing feeling of my chest to disappear.

    The lake started to bubble. White mixed with the black surface. And Sally’s bones rose to the top. Her femur, her ribcage, and sections of her hands. They all floated. 

    “Oh no,” I cried out. 

    Sally’s jokes about her osteoporosis and how she was like a flightless bird thanks to her hollow bones rolled around in my mind. “Call me ostrich. Call me emu. If I keep eroding, maybe one day I’ll fly away.”

    I started to sob.

    “Sink, sink. Please go away. Please sink down.” 

    I paddled back to the shoreline and found rocks, flat black ones used to skip across the surface. I dug through the sand, ravenous and desperate for something heavy to weight her body down and get her to the portal. The more I dug, the more I felt something take over my body. Dirt clung to my nails. My skin split on the rocks. I uncovered a stone so white, so pristine I thought it wasn’t real.

    I pulled out a skull from the sand on the shore. A skull with a small bullet hole in its centre, like the plug of a basin that let life slip through. I held Sally’s skull in my hand and sighed. 

    “I have all of you now.” 

    I filled her skull with rocks to weigh it down and got back into the boat. In the centre of the lake, I dropped her into the water. The skull cracked. More bones, tiny and numerous like a baby’s, flew everywhere.

    But she started to go down. Down and down and down into the water, Sally disappeared. 

    The lake was black again and still. The humming of mosquitoes turned to the humming of music. 

    I still had one last piece to solve. 

    *

    “You know,” Sally said. “I don’t think I want surgery anymore.”

    We lay back on the car from the scar she was dating. Cherry red, hood long and flat. The two had had sex on it, but she still thought it was better for lounging than fucking. 

    “So why go to group?” I asked. “Therapy is only there so you can talk out your demons before the knife cuts you open and repurposes the flesh.”

    “Oh, creative. Since when did you become the Adam from clay?”

    “Since the doctors promised to make me but forgot to breathe life into me.”

    “You see, that’s why I don’t want surgery. I already have a life. I’m full of it.” Sally grinned and nudged my shoulder. “And I really think I have found someone who likes my body the way it is.”

    “A fuck on the hood of the car is hardly a vow.” 

    “Yeah, but I don’t want to be a wife.” 

    “What do you want to be?” I asked. “I mean who. Who do you want to be?”

    “Sally. That’s it. I don’t ask for much.” 

    All I thought of was how hard it was for me to be Ryan. Sally could forgo surgery, but she had an option. I could only have a penis crafted out of the skin of my thigh, called a franken-dick by most other trans men in group. I could only ever dream of having something I could reject. I always had to take whatever was handed to me. 

    “But you know,” Sally went on, “I also go to group for you. Where else would I get such cutting commentary about the state of men?”

    “The scar doesn’t talk?”

    “Oh, God no. Why would he? Masculinity makes them silent. Please learn from those mistakes.”

    I told her I would try. I knew those mistakes were the ones that had knocked me down stairs and broke my toes. Crushed my ribs and left me with purple bruises everywhere. Two weeks after the conversation on the scar’s car, I’d be in the hospital with a broken arm. 

    I’d always break myself to make myself feel whole. 

    And Sally would be dead.

    Both of us never fucking learned. 

    *

    When Sally’s body was under the water, I rowed to the shore. I picked up the piece of paper the man at the hotel had given me and a pen from the bottom of my backpack. I wrote down Sally’s name. Her date of birth (give or take) and added that her favourite colour was pink. Hot pink. 

    I floated the paper into the water. Watched it dissolve. I checked the black water. 

    Nothing moved. 

    When it wasn’t enough, I picked up my phone and called Sally’s answering machine. There was still enough space. I listed off all the bones that I had broken and what I had learned from each one. Shin, toes, skull, ribcage, wrist, hyoid (if only in a dream). I was still talking when an orb of white light appeared in the middle of the pond. The light constituted itself, piece by piece, until Sally was formed.

    She wore the same sequined top in bright pink she had on when she disappeared. Her hair was the same shade of bottled-blonde and down to her shoulders. She had no shoes, but her toes were painted in pink. 

    She waved at me. I waved at her. The wave turned into the jerking off motion, and I finally hung up the phone.

    “Thank you,” she said. “What a fucking relief.” 

    “I hate that the after world has genders. This is the worse lottery I’ve ever seen.”

    She laughed, loud and throaty. It made the water ripple towards me. 

    “It sucks, but you do what you can. Remember what I said, right?”

    I nodded. 

    “Good. ‘Cause I gotta go,” she said. “Never fall in love with men and their cars. And always speak up. Something else, too. Make my last words good, bro.” 

    I waited until she disappeared under the water again. When I couldn’t breathe, I thought I’d been choked again. Tears stung my face instead. I reached into my bag and pulled out the cast from my arm. 

    I left it in the hollow from where I’d dug up her skull. Her signature faced the dawn as it crept up over the trees along the lake. Water lapped at its surface, dissolving into nothing but dust.

    END