Tag: romance

  • 31 for 31: No News Is Good News by Eve Morton

    No News Is Good News went through so many iterations before I finally felt like it was “right.”

    And even now, I still feel like I could try again and come away with something different.

    Part crime story, part meditation on violence, and only a smidge of psychological horror–I wasn’t even sure if I could or should count this for the 31 for 31 challenge. But since it’s my list, I figured why not?

    This piece was published in TOUGH, a crime and noir magazine. Someone saw something in it, even if it was only a passing $10 in the ever-present pulp market.

    The dead body looked like a mannequin.

    Marsha knew it was a silly thing to say. She’d watched a dozen true crime shows on Netflix and every single person who found a body always said that. They thought it was a mannequin in the river, or in the dump, or on the street. Never mind how horrifically out of context a mannequin in those places was, or the fact that mannequins were not proportioned like most people were; they insisted the sallow skin of  a corpse was a mannequin before they made the grisly discovery. It always made Marsha think of her aunt’s old consignment shop and how she’d spent her Saturdays as a teenager sorting through donation bins. Mannequins had been everywhere. She’d never mistaken any of those dead-eyed vacant stares for something human. No way.

    But here she was, spouting the same cliché to the police officer as he interviewed her on her discovery.

    “Are you okay, ma’am?” the officer asked. She noticed a twitch in his expression and a shift in his gait, as if he wanted to wrap his arms around her in a hug, but professional instinct told him not to. “Can I get you a glass of water?”

    Marsha shook her head. She ran her long red nails through her black hair and tried to recreate the scene for him. Her clichés weren’t going to cut it. So she started again from the beginning, from when she stepped out of the train station and turned the corner to the ravine by her bus stop. The officer, God, what was his name?–didn’t bother to rewrite any of those details down. The bus stop was easy. So was crossing the street and noticing a red van pull away. She even remembered half the letters of the license plate: BRA. It was funny to her at the time and she had given those details to him quite easily.

    But the body. It hung in her vision like a magic eye painting she could not bring into focus. “She was… un. I saw the red. Dress. And blood. And she looked so unreal.”

    “We know. That’s a common response. We can interview about the rest later.”

    “No, no. I want to get this right.” Marsha closed her eyes. There were no shoes on the body. That caught her attention first, because the toes seemed like they would be really cold. So I hadn’t thought of her as a mannequin first, Marsha noted. It somehow made her feel better. She was aware of the humanity of the corpse; she wasn’t an unfeeling monster.

    She was able to get out her full description after that. The body had no shoes. The hair was blonde and matted, tangled into the bushes of the ravine. The woman’s dress was open, displaying a chest that seemed to have no nipples. She didn’t add that part to the description, though. She wanted to give the woman some dignity.

    “You did really well. The license plate letters are going to help for sure,” the officer said. He and Marsha both looked behind him as the body was lifted out of the ravine. Several workers became tangled in the bushes, struggling with the body. The dress ripped even more. From between her legs, Marsha noticed the penis. She thought it was another trick of the light at first, another way in which her vision had betrayed her and turned a human being into a mannequin.

    But no, there was a penis. The woman was a trans woman.

    The officer groaned, as if to echo her realization. “Another one?”

    The other officers nodded their disdain. Marsha realized the way they handled the body now differed. They were careless, they were rough. The last strip of dignity was pulled back from the corpse. Marsha’s eyes saw red.

    “Another one?” she asked. “You have a serial killer?”

    “No, ma’am. Nothing is wrong. Just a certain lifestyle leads to certain ends.”

    Marsha thought of the stab wound against the neck. Red like the woman’s dress, artificial like her cause of death. Not a natural part of the lifestyle in the least. Though the officers had now covered up the corpse, the vision remained pressed to Marsha’s third eye. She remembered the posters around the community centre from earlier in the week. The amount of women who seemed to go missing, and the women with stronger jawlines and names that didn’t seem to match. Hazel. Andrea. And Violet.

    A lifestyle injury. It seemed like a sick, cruel joke. As they loaded the body into the coroner van, a sickening sense of dread rolled through Marsha. “What do I do now?”

    “Hmm?”

    “What do you need me to do now? Will I be at a trial?”

    The officer let out a low laugh that he quickly cut off as he realized the horror on Marsha’s face. He put his notebook away in his back pocket. “Don’t get ahead of the game. We still need to sort out what’s gone on here. Find next of kin.”

    “And if you can’t?”

    “That’s not your concern.”

    Marsha wanted to explain so much to him in that moment. But the sun was setting, it was getting dark, and her brother–her brother who used to be her sister, giving her access to understanding she never thought possible–was waiting for her to come home. “And after that?” Marsha pressed. “What is my concern?”

    “Look,” he said, his voice thin. “We will call if we need you. If you don’t hear from us, consider it a good sign. You know the old saying? No news is good news. It applies here, too. You don’t have to worry about this anymore.”

    The officer got into his car and slammed the door. Marsha tried to walk down the street, toward home, but glanced over her shoulder. The empty ravine haunted her.

    Three days later, still without a phone call from the police to follow up, the ravine had grown over with a thin layer of snow. The white would cover everything. The silence would continue. Three more days passed with nothing. A week.

    Marsha forgot about the mannequin woman until the next victim was found a month later. She was a nameless victim tossed inside an alleyway, only wearing a mini-skirt with a pink top. Tattoo of a dove on the left shoulder blade. The newspaper article laid out every last detail without actually saying anything at all. No transgender status was mentioned, but Marsha knew. Deep down, there could be no other way. She called the police station and found the officer who took her statement.

    “I told you,” he said, “we would call.”

    “I think you have a serial killer,” she said. “There’s another victim. She also doesn’t have a name. But I think if you go through the missing people reports filed in the last little while, you’ll find her. A lot of people from the Village have been going missing.”

    The officer didn’t say anything. But she heard him breathing like a shadow behind her.

    “You have to do something,” she pressed. She’s not the first and she won’t be the last.

    “We are doing all we can.”

    “That’s…” Marsha closed her eyes. That was precisely what she was afraid of. The police were doing all they could, and it still amounted to nothing. She saw the woman–the mannequin–again. Her eyelids. “What was her name?”

    “Hmm?”

    “The woman I found. What was her name? Did anyone bury her? I want to see.”

    “Ronald Black,” he said after a while.

    “That’s not her name.”

    “We don’t have any other information at this time.”

    “But what was her name?”

    When the officer only gave her silence, Marsha eventually hung up.

    ***

    “Jessica?”

    “Look again, sir,” Jesse said. He splayed his legs to make his hips seem less wide, and his shoulder more broad. He cursed himself for shaving. The dusting of hair on his upper lip was never that much, but it at least signalled more than his still-out-of-date licence ever could. “It’s not Jessica.”

    The convenience store owner glanced down again. He shrugged. “Jesse. Sure. What year were you born?”

    “1988.” Jesse beamed. “I’m twenty-nine.”

    “You look barely nineteen.”

    “But I’m twenty-nine. Born July 7th 1988. I can give you my mother’s date of birth too. Maybe her maiden name and the street I grew up on as a child. Will that convince you it’s not a fake ID?”

    The store owner’s stare turned from hardened to defeated. He tossed the ID back on the counter and turned to open a case where the cigarettes were kept. If not for the shaking hands Jesse got right before therapy, he would have avoided this place. He never passed in these kinds of stores. He was convinced it was the fluorescent lights, the cameras and mirrors around every corner. People were so prone to see theft in stores like this, or conning through fake IDs, that each and every last feminine mannerism still not yet worked out of him was highlighted and suspect.

    But he knew it was really his ID. He glanced at the photo of himself two years ago, barely on testosterone, and the F marker where sex was listed. What on earth was the point of changing his damn name if people still saw a girl’s one instead? What was the point of having any official ID with a brand new name if there still was a giant F in the centre of the thing? It was always the F that made people’s sanity fall away. Always the damn F. Apple cheeks and small hands could be reasoned away by shitty genetics. But an F left no room to doubt his origins. Jesse Martinez was trans.

    Jesse lit up his cigarette outside of the store. He should have been smoking at least nine metres away, but he wanted to show some disrespect back for what he’d just received. When Talia, a tall trans woman with a mini-skirt on walked by him, she splayed her hand in a wave.

    “You comin’ tonight, hon?”

    “You know it. Not exactly like we have a choice.”

    “We always have a choice. It’s just not the easy one, you dig?” When he said nothing in response, she gestured to his cigarette. “You mind tossing me one, honey?”

    “As long as you stop calling me honey, then we have a deal.”

    “Pfft.” She waved her hand away like it was nothing. Her dismissal grated on his nerves, but he figured he could spare a cigarette. She was one of the most talkative in group; he knew all her secrets if he really wanted to harm her. Talk a bit more about her grandmother whose name she wanted to honour, but who had spit in her face when she came out as trans.. Talia was also one of the favourites of Genie, the therapist who would eventually sign thee letters approving their surgery. Jesse figured he would get brownie points just from being nice to her;:gatekeeper acceptance via osmosis.

    “So how are you and your boy?” Talia asked, trying to make small talk. “I hear he dropped out.”

    “He did. Yes.” Jesse didn’t want to talk about Anthony’s betrayal, as he thought of it. He knew it wasn’t a reflection of him or their relationship, but it was hard to accept no longer seeing Anthony in therapy. Anthony now had family money that would allow him to obtain surgery privately. A sister who would help him out when it came time to heal and help him out again if he ever lost his job because of his trans status. He had no use for the therapy sessions that mostly turned into a despair circle jerk. Jesse and Anthony had met bonding over their hatred of events like this, while also lamenting the therapist’s necessary role in their lives if they wanted to live their lives as they wished as men. Jesse thought they’d shared a fantasy together about a world that would bend to their whim as soon as they got surgery; the city would be theirs, and they could take it over from all the cissies who had made them feel like shit.

    Instead, Anthony was about to join the rank of the cissies. And Jesse, like always, was left to nurse his fantasies alone.

    He took a long drag on the cigarette. Talia was reminiscing about group therapy as if it was fucking summer camp, talking about how much she loved Anthony’s jokes and dry humour. She didn’t seem to think it a hardship that he wasn’t there anymore, or that therapy itself wasn’t the most invasive and cloying experiences.

    “You don’t find it strange?” Jesse asked after a moment. “Spilling all our secrets to this place?”

    “Nah. Just tell them what they want to hear and you get what you want.”

    “But it’s not that simple.”

    “It can be if you let it. Remember Genie’s advice from the first day? No news is good news. We should strive to be boring. We should strive for normal.” Talia laughed while Jesse huffed. “It may be antiquated nonsense, but it’s also kind of true. We need to just get our letters and move on. We don’t need to make headlines, you know? Life doesn’t have to be as hard as you make it out to be.

    Jesse stared at the dirt in front of them, his mind reeling. How could any of this be easy? He’d just been called Jessica. He’d always be called Jessica because it looked just close enough to Jesse. He could change his name and start all over again, but even the most masculine name didn’t matter if his body was found. They’d peel back the clothing and find a vagina. They’d examine the bones and see child-bearing hips. He was fucked in this life and fucked because there was nothing beyond this one. He would always make the headlines, but it would never be in the gender he wanted.

    “You’re always pouting,” Talia complained. She stamped out her cigarette and gestured for them to walk. “I mean, you don’t even have it that bad.”

    “I don’t?”

    “Yeah,” Talia said, cutting him off before he could rant. “Have you even noticed just how many trans women go missing? We’re being pegged off, one by one, because we’re the gender fodder. The gender monsters. So people kill us. Trans men don’t get that.”

    “Brandon–“

    “Don’t even say Brandon Teena because that was a lesbian story. He wasn’t killed for being a man but fucking someone’s woman. That’s it.”

    Jesse wanted to scream. White-hot rage built inside of him and only cooled as he light another cigarette. Talia kept citing sources about trans women as monstrous, quoting the never-wrong Susan Stryker and Julia Serano. All names he knew. All theories he was familiar with. And really, all points that were valid. Trans women did disappear.

    But so did trans men. They just disappeared in different ways than trans women, and no one fucking bothered to see it. Either they disappeared into their former feminine identities through lack of institutional recognition or they passed well enough to disappear into masculinity. Until their pants came off, of course. Jesse thought of all the ways in which he’d studied cis men in high school from afar, attempting to affect masculinity like a role he could slip into. The silent head nods, the flexing in mirrors, the quiet complacency. Trans men disappeared into hormones, into the  rage that came more easily and the muscles that clenched underneath skin, but it all fell apart once pants were removed and once that skin was peeled back.

    Trans women were murdered, sure, he could accept that. But trans men became silent monsters.

    Jesse stamped out the last bit of his cigarette before he entered the building. In the basement of a community centre, a group of sixteen trans people in the midst of their transitions all faced one another in a circle. They gave their names and preferred pronouns before the leader in the centre–always cis, always a medical professional–directed them. They were all pawns in a game. All playing a role.

    When Genie called on Talia, she stood up and spoke eloquently. She smiled. She gestured. She was successful in the role and she knew it. It would take another couple weeks, but Jesse knew Talia would get approved for surgery. She would live the rest of her life as a woman. No one would disagree. She would make no headlines. No news would be good news, like Genie always said. Strive for boring. Strive for normal. 

    When it was his turn, he mumbled. He grunted. He did not emote enough. He failed Genie’s test of confessional therapy, but he knew he passed his own. His masculinity covered him like another skin, like a mask that hid his fantasies.

    “Well, that was fun,” Talia said once the meeting was over. “I suppose I’ll see you next week.”

    “Yeah, something like that.”

    Jesse smoked as he watched Talia wander down the street. He fingered the knife in his pocket he always carried for self-defense. After he put out his cigarette, he followed behind Talia silently.

    ***

    “I think something’s wrong,” Anthony said. He stared into the mug of coffee in front of him. The whipped cream topping had seemed too girly when he ordered it, something that Jesse would have lectured him about if he had been here. He should have been here, but he cancelled at the last minute in a sparse text. Anthony never thought he’d miss the gender-passing nitpicking so much.

    Marsha leaned forward on her chair. She extended her hand to Anthony, squeezing him gently. “Want to talk about it?”

    “Well, yeah. It’s just hard. I know you don’t believe me when I say that testosterone has wiped my memory of feeling words, but it’s kind of true.”

    Marsha chuckled lightly. “Oh, I believe it. I just don’t think it’s purely chemical. It’s cultural.”

    “Sure. Maybe it’s both. The truth is often in the middle.”

    “So what’s the middle of what you’re worried about? Chances are, it’s not benign, but it’s probably not as big of a thing as you’re making it out to be.”

    Anthony bit his lip. “I think he’s cheating.”

    “Oh, no sweetie. No.” Marsha’s face softened. She squeezed his hand again as he went through all the evidence he’d accumulated. Jesse was moodier now than ever before. Already cranky to begin with, it was as if he was riding a wave of ups and downs that would not relent. He’d be sullen and not speak or leave his room for days. Then he’d disappear and come back with manic energy. He wasn’t kissing Anthony nearly as much anymore, either. When he did, it was much rougher, and often coupled with his manic periods.

    “And he’s been going out for longer and longer, sometimes without calling or warning, Anthony said. “He’s missing dates like this, too.

    “And you’re sure it can’t be anything else? Maybe he’s got a new job or a side gig to help pay for things? I know his parents haven’t been great. Maybe he’s trying to reconcile with them?”

    “Not a chance,” Anthony said, laughing a little. “”I think he’d kill his parents if he knew he could get way with it.”

    Marsha blinked. Anthony instantly regretted the words. “Sorry. Not to be so grim. It’s just–“

    “No, it’s fine. I need to strengthen my stomach anyway.” Marsha took a shaky drink from her coffee cup. Silence enveloped them. It felt like a wound.

    Anthony had heard about the woman in the ditch on the night it happened. He’d dreamed about a graveyard full of mannequin arms between tombstones. When the next woman was found, he’d had the dream again. At first he didn’t want to mention the next missing woman poster he’d seen around the city, thinking it would trigger Marsha, but she called him and told him about it. She’d found several more cases too, all trans women, all of whom had gone missing without a trace or  been found without being ID’d.

    “Any more news?” Anthony asked tentatively.

    “Some, yeah. I mean the police aren’t helping but I think that the numbers are not as big as I once thought.”

    “Oh?”

    “No. Because the police work with legal names or don’t find the names to begin with, it’s been hard to match up the victims with the missing. But there is overlap and I’m convinced I’m finding it. The numbers are going down. Not much, but some.

    “That’s… good.” Anthony tried to drink his coffee. The words he wanted to say hung between them like a secret dream language that they’d once shared as sisters but had spread out and dispersed since his transition. She was always going to be there for him, but she was always going to be haunted by the negatives of this life. The murder and violence. Jesse’s parents abandoning him and the doctors mistreating him. As much as he wanted her to see the better parts of this community, he was coming up on blanks.

    “I still haven’t found her name, though,” Marsha added. “Which still makes me sad.”

    “I know. I’m sorry. You’ve done far more than anyone could have.”

    “But that’s the thing. It shouldn’t be me but the cops.” She sighed and ran her hands through her dark hair. Her nail polish was chipped, the nailbed itself marked with flaked dry skin and red scabs from picking too much. Marsha forced a smile. “So let’s not talk about that. Let’s talk about your issue. Have you tried talking to Jesse?”

    Anthony shook his head. “I could. I mean… Nothing is stopping me.”

    “But?”

    “But I think right now I’m becoming that cop that told you no news was good news. You know a therapist once said it to us, too?”

    “Oh, really? That’s…”

    “Gross, I know. But it also makes a strange type of sense. No news is good news. Don’t rock the boat. Strive for boring, strive for normal.” Anthony sighed. He glanced down at his chest, still inside a compression binder, and wondered what it would feel like flat. His surgery appointment was in six weeks. Would Jesse still want to fuck him then? Or would his jealousy take over?

    Suddenly, the fog lifted from his vision. Marsha noted and raised her eyebrows in suggestion. “You okay?”

    “Yeah, I think I figured it out, though. All of this started to happen when Jesse heard about the surgery money I had. When I dropped out of therapy. He’s…jealous. He wants what I have so much more, but doesn’t have a family who will help.”

    “He has you, though. He should be happy about that.”

    “He does, but I need to show him. More than before. Oh.” Anthony sighed, feeling relief wash over him. “This is perfect. Thank you so much for talking, Marsh.”

    “I didn’t do much.” She shrugged and then held her arms out for a hug. Anthony embraced her easily and squeezed her tight. Under her large winter sweater, he could feel that she was all sharp angles and bones. She was losing weight. But he said nothing about it.

    “Call me tonight?” she asked. “Let me know you’re okay?”

    “How about I call you if something goes wrong?” he suggested, then winked.”You know, no news is good news.”

    Though Marsha rolled her eyes, she also let him go with another squeeze.

    Though a part of him wanted to tell her to eat something more than coffee, he wouldn’t. She was his older sister. She knew what she was doing.

    When Anthony came into the apartment that he shared with Jesse, he found him already there. Jesse stood at the sink, his back stiff. He wore the same pair of jeans as earlier in the day, but he had on no shoes or socks. Dirt was caked onto the front hall mat. Anthony suppressed what he was going to say in greeting when he noticed pats of blood mixed in with the dirt. He moved into the kitchen and noticed blood marking the back of Jesse’s shirt.

    “Oh my God. Are you okay?”

    A dozen scenarios repeated in his mind. Hilary Swank from Boys Don’t Cry,

    Drew Barrymore from the opening sequence of Scream. When he examined Jesse’s face under the low kitchen light, he saw no injuries. Jesse’s eyes seemed vacant, his expression immovable.

    “You’re home early.”

    “I am,””Anthony said. “But I thought you wouldn’t be home at all.”

    “Well, I am.”

    Jesse’s voice was like ice. It made the hair at the back of Anthony’s neck stand up. When he looked at Jesse’s hands, he saw blood mixed with soap, runny with water. A knife lined the kitchen sink. The blood on his shirt had no origin, no trace of a wound.

    Still, Anthony asked if he was okay again.

    “I’m fine. Just a little scratch. Nothing to worry about.”

    “Okay.” Anthony didn’t remove his eyes from the bloodstain. “Are you sure? If something happened, you know you can tell me, right?”

    “I know. I would.”

    “Good.”

    Silence stretched between them. The din of the running water hitting the metal basin became too much. When Jesse turned it off, all the blood from the knife was gone. So was the soap and pink suds on his hands. The only speck of gore that remained was the blood-stained shirt. Jesse seemed like he wanted to remove it, but couldn’t.

    Because he doesn’t have a binder on, Anthony realized. His breasts were visible. Tightly bound with a sports bra instead of a compression tank, but still visible. And he is ashamed.

    “I need some privacy,” Jesse said.

    “Right. Of course.”

    Jesse nodded. He left the kitchen for their shared bedroom around the corner. Anthony stood in the kitchen. He put his hands on the sink and looked at the knife. It was not a kitchen knife, like he once thought, but one that he’d seen in Jesse’s bag in the past. The one for self -defense. He repeated Jesse’s claims of self-defense over and over. Anthony suppressed all other dawning thoughts. He heard Jesse shift and change in the other room.

    “I have something I want to tell you,” Anthony said.

    Jesse didn’t say anything.

    Anthony went on. “I was talking to Marsha and I realized that I was being unfair. I should have shared my surgery money with you.”

    The shifting stopped. Jesse’s breath was heavy. “What do you mean?”

    “I should have split it with you. That way we both work together to get what we need.”

    Jesse appeared in the doorway. The blood was no longer visible. Every trace of what Anthony had just witnessed was now gone, and because it was easier, he let it disappear. In between the two extremes, the answer was somewhere in the middle. Jesse was moody because he missed out on surgery. That was that. Everything else wasn’t important.

    “Are you serious?” Jesse asked.

    “Yes. We’re in this together, okay?”

    Jesse wrapped him in a hug. It was rough, like usual, but there was tenderness inside it as well. Anthony was sure.. The two of them were happy. Their lives were taking shape together; he should have been focused on them as a unit, on their shared fantasy, rather than anything else.

    “Are you going to be okay?” Anthony asked, after the hug was over.

    Jesse didn’t answer; he merely put the knife that had once been in the sink back into his pocket, and then took Anthony to the couch.

    Anthony decided to take the silence as good news.

    END

  • 31 for 31: Violet by Eve Morton

    This story is a much darker version of “The Movies that Made Us” or maybe even a deeply unsettling version (and far less pink) of “I Saw The TV Glow.”

    Violet is about a trans woman who comes face to face with her movie idol, a porn actress also named Violet. When Violet’s (the movie star) asks for the original version of her movie back, Violet (the now video store worker) cannot bear to part with it–at least, not without acting in it herself. And when that movie becomes bloody, both Violets can’t turn away.

    So… in addition to teeth freaking me out, another issue for me in horror movies is the idea of found footage. The image of a VHS tape with the name VIOLET written by hand on it is terrifying to me. What’s on the tape? Where are these people? Why is the tape here? That’s the feeling I wanted to follow for the short story “Violet” and I managed to throw all of my anxieties about found footage, snuff films, and the ever-present fear (and allure) of the TV glow at one story.

    I like it. But it’s also a nasty story, so hey, you’ve been warned.


    Violet

    When Violet glanced up from her book, all she saw was the woman. In the basement of Back Door Rentals, the light was never that great. You had to walk down a set of concrete stairs before getting to the door, half-obscured by darkness. Even inside, the low florescent bulbs above the sections were only there to provide enough illumination to read the titles while also casting safe shadows for customers to hide in. 

    But the woman seemed to brighten the entire shop. She stood in the middle of two aisles, framed by the doorway, as if she was caught in a living art piece; a reinterpretation of the birth of Venus. In this version, though, the sea-shell that gave birth to beauty was two aisles of VHS pornography, most likely of lesbian and fisting variety.

    The woman broke the tableau with a step forward. And Violet recognized her right away. 

    The woman in the rental shop was the same woman from the first porn movie Violet ever saw. The dark hair, nearly to her waist, appeared as black as it had been on the TV screen. Her pale skin was exactly the same and led up to the same prone throat. Only her smile was different. This time, it was tense and terse as she locked eyes on Violet behind the counter. She held her winter coat around her body tightly, and hunched herself over, in an attempt to keep the men from staring too hard at the living legend who had now graced their store.

    “Hello,” the woman said. “You work here, yeah?”

    Violet nodded. She didn’t want to speak in case her voice cracked and gave away her deeper testosterone-riddled baritone, and she knew it was far more likely when she was in front of the woman from her fantasies. 

    “Good. I was wondering if you could help me find a video.”

    Violet nodded. She still held her book in her hands, her thumbs acting as a bookmark. This close to the woman, she could now see small lines around her mouth and eyes. Before, she had seemed ageless, as if nothing had changed since the moment her body was captured on screen. 

    The film must have been at least ten years old, though. Violet had seen it when she was fifteen–far too young to be viewing materials of that content–but the VHS already had the worn cover edges and clipped sections that a well-loved movie obtained. Violet was twenty-three now; the same age, she believed, as the woman on the screen eight years earlier. 

    Violet’s heart could not stop pounding. Her book shook. And the woman finally seemed to notice her stunned silence.

    “Are you all right?”

    “Yes,” Violet said. A crack. A deeper pitch. Violet bit the inside of her mouth and tried again. “Yeah, I’m okay. It’s just… I know you.”

    The woman tilted her head. For a second, her eyes betrayed her fear as she discovered what Violet meant. She’d seen the film–which meant that she’d seen her naked, completely open and vulnerable–but also that Violet had seen the ending of the film. It wasn’t just a VHS porn flick that Violet had found in the bottom of a box in her uncle’s basement. It was a porn film that had been taped from something else, the original source Violet wouldn’t even discover until six years later, when she took this job first out of high school, and found the original in the back. 

    “I see,” the woman said. “Okay. Well. This actually might be good.”

    “Why?”

    “Because that’s the film I’m looking for. The one where… you know. You saw me.”

    “I saw you…” Violet stopped and started several times. “Forgive me for being forward, but… I thought you were dead.”

    The woman smiled, just barely. Violet was struck by her green eyes. Violet had always thought they looked brown in the movie. Each thought comparing the filmic version of the woman to her real life counterpart, here in the flesh and very much not dead, made Violet’s palms sweat and her body tense. If not for the estrogen already working its way through her body, and the tucking she’d done that morning, she’d be hard. It was only a look, but she felt like the fifteen year old boy she’d been when she first discovered the film. And then the nineteen year old who realized that the woman he had been keeping in his mind since he was fifteen was actually murdered at the end of the movie. Violet had only watched the snuff film once before sliding the VHS back into a box and hiding it where no one would find it. The woman that he had loved–named Violet according to the film’s label–had made him question everything he thought he knew about himself and the world.

    A year later, he was now she and going by Violet.

    At the time, Violet thought naming herself after the snuffed out woman was the only way to keep the image of her alive. 

    But she was alive. Now faced with her dream woman, Violet wasn’t sure what to do. 

    She glanced around the store to be sure no one needed help, but everything and everyone was fine. The back booths were booming with business and the older man in the anal section was completely content. No one noticed the beautiful woman because there were a dozen more just like her in front of them; no one was having an existential crisis because no one else here was trans and had constructed their entire identity around this moment. 

    No one here gave a damn. 

    “Can we talk somewhere?” the woman asked. “I think this is a better conversation to have over a drink, don’t you think?”

    When Violet remained quiet, the woman leaned closer. She placed a hand over Violet’s book, cascading her fingers down the spine. Violet swallowed hard, suppressing her desire and revulsion at the woman’s gory death on screen. She blinked once, saw the static and the glitch-y images, and then opened to see the woman, like Venus reborn, in front of her. She almost glowed.

    “Yes. I think that’s a good idea. Let me close up.”

    Violet stood from behind the counter. She closed down the booths at the back, angering some of the men in the process. The internet was still a new thing, still something that most of the older generation hadn’t quite realized the potential of, and so the shop was still filled with people who would much rather view in private booths. Violet knew these men were a dying breed. Back Door Rentals had managed to contend with the DVD craze, but it would not survive the internet age. Suddenly, all desire to even work at Back Door Rentals disappeared. Violet now had what she always wanted: the woman that made her a woman.

    Once the store was clear, she walked back over to the woman. She stood taller now, her winter jacket unbuttoned. Underneath she wore a black v-neck shirt and Tommy Hilfiger jeans. Violet was sure she had the same ones at home.

    “You ready?”

    The woman nodded. Violet led her to the concrete stairs and locked the final door.  

    “What should I call you?” Violet asked. “I realize now that you may have been using a name all those years ago.”

    The woman smiled and shook her head. “I’m Violet. Just like the tape said. And you are?”

    Violet smiled, mirroring her namesake. “Exactly the same.”

    *

    Five minutes into their coffee, Violet from the video insisted on being called “Vi.” It was less confusing for Violet, and it also made her feel like an insider. She was already calling her dream woman by a nickname; already creating the subtle bonds of intimacy between them that she’d craved so long ago. 

    “How much do you know?” Vi asked. She held her black coffee close to her body, using both hands around the mug. Her nails were painted red. Violet wondered if she had the same shade.

    “I don’t know much beyond what was on screen. You inside a red room. And then you inside a black one. Where you were, you know.”

    Vi nodded. On the back of Violet’s eyelids, from ages fifteen to nineteen, the movie had just been the red section. Vi was on an examination table and a man in a doctor’s uniform was removing her clothing. They fucked. There were more positions, more than Violet could dream up as a fifteen year old boy without access to the internet. Back then, she didn’t even have access to nudie magazines because she’d been an only child with no father. Vi’s breasts were the first ones she’d seen.

    And she’d fallen in love with them. The red room was the entire movie to Violet and she’d watched it forwards and backwards. When she’d gotten to Back Door Rentals, she’d found the original film that was merely labeled VIOLET in large letters. The red room went to the black room, where Vi’s throat was cut as she laid on a bed, bleeding out into the sheets. 

    Violet had stared at the screen in horror. 

    Then, with a sick feeling in her stomach, she rewound the tape to the beginning and watched it all the way through. Vi’s death occurred three more times before she took the movie from the store. 

    Violet tried to explain her history with the movie in fewer words and with less focus on how arousing it had been–and more talk of how horrified. Vi didn’t seem to care either way. Her gaze fixated and she leaned even closer

    “So you watched two movies of me?”

    Violet nodded. 

    “Were they both on VHS?”

    Another nod.

    “And were they originals?”

    “What do you mean ‘originals’?”

    “They weren’t studio movies, obviously. They could be tapped over.”

    Violet remembered learning the difference as a kid; the movies you could tape over had a small latch at the front of the tape that wasn’t pushed in, while all of her other films–like the Disney ones–had the latched pushed in. It was a subtle way to signal to the VCR what was okay to use to tape Dynasty or SNL and what was not. Violet struggled to remember the porn movies.

    “I think the first one–the red room one–was a studio movie. But I don’t think the second one was.”

    “Good, good. I need the second one, then. The one with black room.”

    Violet bit her lip. “Do you… do you really want it? I mean, it’s pretty gruesome. Horrible and misogynistic and–.”

    “But it’s me. You’re forgetting that. I acted in those scenes.”

    Violet made a face and tried to hide it with her coffee. Could it really be acting? She thought for so long that Vi was dead. It was why she had transitioned; why she had taken the name she did. If the woman who embodied femininity was gone, then nothing was sacred. 

    And she could step into the role and be just another intimation of the pure greatness that had come before. Vi was a Platonic ideal–always to strive for, but never reach. 

    When a cafe worker came by, she nearly bumped into Vi as she set down more coffee for Violet. Violet was about to complain, but the waitress was gone. Vi’s mug was empty–she had gotten no refill–but she didn’t seem to care. She stared into the empty mug, then at Violet, her gaze harsh.

    “You’re not protecting me from the film by not letting me have it. It’s quite the opposite, actually.”

    “What do you mean?”

    Vi sighed. She glanced around the cafe before leaning in close. For a moment, Violet wondered if the table between them was going to disappear, and their bodies would merge entirely together like an ink blot or kaleidoscopic reel. 

    “I found it online,” Vi said. “I saw myself being murdered over and over again. I don’t want that anymore.”

    “If it’s online, it’s online. Get the host to take it down.”

    “It doesn’t work like that. And it’s not the same thing. I could stand having the sex stuff up there. It was annoying, but I made that decision. The murder, though…” She shook her head. “I hate knowing it’s out there.”

    “And it looks so real.” Violet remembered the colour of the blood. The way it coagulated. What Vi’s throat looked like as nothing but a wound. It was impossible to not stare at her neck now and wonder where the scar was. Violet gestured to her own throat with a shrug. “I still don’t understand. You know…”

    Vi shrugged. “Movie magic.”

    “Hmmm.” The explanation didn’t fulfill Violet’s need for knowledge. It became a void inside of her, a chasm that seemed like it would never be filled. “What will having the original film give you? It’s still out there. I hate to break it to you, but the internet’s going to change things. You’re not going to be able to get your image back.”

    “But I can.” 

    Vi leaned back suddenly. The space between them split in two. Violet felt it like a wound. 

    “I met this guy,” Vi went on. “He actually recognized me from the movie. He said I could reclaim what I’ve lost. I just need the original VHS tape. I give that to him and I get a second chance.”

    “I think he’s feeding you lies. I don’t think it’s possible to get back what you’ve lost. Not in that way.” 

    “But you do believe in second chances, right? I mean, look at you.”

    Violet bit the side of her mouth. She wondered what part of hers image gave away her trans status. Was it her chin? Her prone throat? She’d tried to obscure her Adam’s apple with a high collar on her winter jacket, but that jacket that now was on the back of her chair. Was it her thin hair? Her height of 5’9? Her hands? All the obvious answers came to her, but she knew deep down it was her voice. She always passed in the store, at the bank, even at her college night school classes–until she spoke. 

    Violet was about to ask what the hell her life had to do with any of this, when she stopped herself. It had absolutely everything. And Vi knew it. More than just her voice, Vi saw the way in which Violet had modelled herself on her older filmic image. Most trans women do have a proxy; Madonna or Lauren Bacall, the Hollywood image that fed their identity into as a child. Violet never had that fracture of self until Vi came along and died in front of her. 

    “Do you even have the movie?” Vi asked, her voice hot and accusatory. “Or are you just wasting my time right now and trying to get off in the process?”

    “No.” Violet shook her head, her voice steady. “No. I have it. I just never wanted anyone else to see it. So I hid it in my apartment. I hid it away from everyone.”

    “I appreciate that. But it’s online now. There’s no hiding it. There’s only destroying it. And this guy will help.”

    “I still don’t understand.”

    “Then come with me,” Vi said. Her green eyes pleaded. For a brief second, Violet thought they turned brown, like they had on the screen. But it was only a flicker of her nostalgia soaked imagination. 

    She swallowed back the last of her coffee and nodded. “Okay. I’ll come.”

    *

    The man’s name was Gerry. He lived across the hall from Vi’s apartment on the East Side of Vancouver. Violet recognized the area from the few times she visited the clinic to find doctors who would prescribe her hormones. She hated the area; the atmosphere always felt so unsafe, especially as women seemed to drop like flies from either heroine or men with knives. She realized now, as she snaked her way up several flights of stairs to Gerry’s place, that she had avoided the area because she always thought this was where Violet had died. She had gotten into the wrong car and the wrong studio and thought she was making a movie for fun. For a couple handfuls of cash she could do what she wanted with, but ended up paying for her life.

    “Why was the movie made?” Violet asked. 

    Vi was ahead of her, her thick boots echoing as they walked up the stairwell. “Why do you think porn is made?”

    “No. I mean… why the fake murder?”

    “Again, why do you think people make snuff films?”

    “To get people off. Fine. But it was fake. I always thought they were real. It was scary because it was real.”

    “Sex is real on the screen. And the death is real. But it’s also not. I fuck someone, and they go inside of me, but I don’t let myself stay there mentally. I go somewhere else. It’s the same for the snuff stuff too.”

    Violet wasn’t exactly sure how a knife could go into someone and not have it affect them later. Without a scar on Vi’s body, though, that seemed to be what had happened.

    “Exactly how many have you made?” Violent asked. “I thought it was just the one?”

    “We’re here.” Vi held open the door to the fifth floor. Violet’s lungs already felt pressed against her chest from all the walking. She followed Vi down a hallway and to an apartment that seemed to radiate the sweet smell of smoke. Her previous question was left unanswered as Vi knocked on the door. A snake-like ornament, going in a circle, hung on the centre of the door.

    “It’s an ouroborous,” Vi said before Gerry game to the door. 

    Gerry was a large man, taller than both of them, with a thick beard. He wore all black and had a shaved head. His smile split his round face in two as he shook Vi’s hand. He then turned to examine Violet with a tilt to his head. It was a familiar action; the same one Vi had done when she’d assessed her in the store.

    “I know you,” he said.

    “I work at Back Door Rental.”

    “Ah. That’d be it. Do we have the video?”

    Vi nodded. She led the way into the dark apartment, Violet coming up at the heels. She held the original video in her winter jacket pocket. They’d stopped at her place before taking a cab out to the East Side. When she’d come back out with the video, Vi had looked at her with a sultry expression. It struck Violet harder than a punch to her gut. For a moment, she’d been convinced that they were going to skip everything and fuck on her bed. 

    But the moment had passed. Now, inside Gerry’s apartment, the smell of cigarette smoke mixed with sage. He spoke at a rapid-fire pace, mostly asking Vi how she was doing and how her brothers and sisters were. Vi brushed off his questions and quickly turned to Violet. 

    “The tape?”

    “Yes. The tape. Let’s get to work.”

    Gerry’s stare met hers. Violet paused. She clasped her hand around the edge of the VHS, not wanting to let it go. The storyline was so worn into her brain. “I want to know how it works.”

    Gerry sighed. He kicked back a chair at his kitchen table and gestured for everyone to sit down. Though it was hot inside the apartment, Violet kept her coat on as she sat. Gerry lit a cigarette before he talked, ashing it in between statements.

    “You that old story of a photograph taking your soul?” When Violet nodded, he went on. “It’s bunk. Humans don’t really have souls. But there is something to be said for digital copies of ourselves. It gets weaker, less potent, as the image proliferates. It’s one of the reason why certain art objects have such a high… oh, I don’t know, radiance to them? It has nothing to do with the artist or even the paint they use. It’s all about how many images of an image there are. Take Van Gogh.” He said the name like Hoff instead of the more popular Go. “We see Starry Night everywhere and it’s boring. Even when we see the original, it’s kind of boring. We see more details, sure, and we see the texture of the paint, and it’s better. But the object has no power anymore. It’s too common.”

    “Okay,” Violet said. “I get that. But what about pornography? Snuff films? I don’t understand why you want this tape of Vi.”

    “She wants it. She wants her life back.”

    “She won’t get it. Once you make a decision like this, it’s permanent.”

    Gerry sucked extra-long on the cigarette. He leaned closer. “Are you sure about that?”

    “Well, I would assume so. Decisions only go one way.”

    “No, they don’t. Let’s take Van Gogh again. We hate Starry Night. We’ve seen it too much. So how about we get rid of it? We can’t just throw away the postcards with the image on it. We have to destroy the original. And once we do, it’s gone.”

    Violet was about to open her mouth to disagree, but Gerry spoke again.

    “The structure of it remains, I will give you that. We know that something used to be on that wall. A man painted something about stars in the night. We try to remember and replace it. Sure. But that original is gone. And the rest will fade.”

    “And you think that will happen to Vi? She will fade?”

    “I want to,” Vi said. 

    Gerry gave her a sympathetic look before he turned his focus back on Violet. “We need to get rid of the source. The memory will still be there, and something else will come and try to fill the hollow structure of what’s leftover. Pornography will always exist. And whether we like it or not, snuff films will too. Even if the death captured can be reversed in some way.”

    “I still don’t understand,” Violet said. The tape now felt hot in her hands. She traced her finger along the line that had the button. If she could press it in, then the tape would never be taped over. She hovered above it. 

    “All the things that came from this tape, good and bad, will still be there,” Gerry said. “But weaker. It’ll be like an empty glass. Still a glass, but you’ll have to fill it again yourself.”

    Violet felt sadness swell in her throat. She wanted to keep the tape because she was on the tape. Vi was her and she was Violet. She wanted to become the epitome of womanhood when she saw it destroyed. If death wasn’t death and even sex could be undone on screen, then did it leave her as an empty shell? A blank tape?

    Violet pushed down the button. The movie would not be taped over. It would remain, static. And she handed it over. 

    Gerry’s smile left his face as soon as he saw what she’d done. Vi’s eyes widened. She looked from the tape to Gerry and then back at Violet.

    “What did you do?”

    “Nothing. I just want to stay a little while longer.”

    *

    When Vi came into the video store next, she wore a red dress. Her hair was long and hung down in rivulets towards her waist. Gerry came in behind her. He ushered the people in the store out up the concrete steps as Vi made her way to the counter.

    “We should talk,” she said, voice long and smooth. 

    They had not seen one another in two weeks, not since the incident in the apartment. Violet had left after she gave back the tape and not uttered another word. Even if they would not be able to tape over the image, Violet figured they could have always unfurled everything from inside. Smashed it with a hammer, or run it over with a car. Destruction was as plentiful as the type of porn to pick from. Always so many options.

    Meanwhile, Violet tried to go on with her life. But she felt herself fading. Even if the tape’s image remained protected, the illusion in her mind had been shattered. Vi was a real person with a real life; the tape was a fake. Not even death was real anymore. 

    “Where do you want to talk?” Violet asked. 

    “Back room, maybe?” 

    Violet nodded. She opened the back room where most of the old movies were kept. Jason, the owner who was never around, sometimes had toys back there too. A cot for when they had to do inventory and wanted to sit down. Jason was determined to expand the store beyond films, especially because of the internet, but Violet knew he would fail. The boxes of the merchandise seemed static next to the movies and DVDs that were taking up space. 

    Gerry followed them to the back. He pulled a camcorder out of his backpack and kept it rolling. Violet was about to ask what was going on, but Vi kissed her. Her mouth was hard, jagged. Violet’s body reacted through sense-memory and basic response. Vi kissed her like she’d been kissed on screen. She ran her hands up and down Violet’s body like she had seen on screen.

    When they fell on the cot, it was exactly like it had been in the red room scenes. Violet leaned back as Vi disrobed her with the precision of a doctor. Not even Violet’s mismatched sex made her feel nervous or uncomfortable. The movie scene played out as if it was always there, always permanent.

    Violet felt herself come back to life. She was no longer fading, but existing in bold colours. Not every section of the film was the same–two women now instead of a man and a woman–but the structure was the same. The structure was what mattered; it was the heart of the event. When Violet came, the scene etched itself in her memory. 

    Then came time for the last section, the one in the black room.

    Gerry handed Vi a knife. Violet remained naked, prone. Fear percolated in the base of her stomach, next to desire. She wanted this. She was this. She’d been made in this image and now she was going to become it. Like a great art object–the original. 

    Vi walked over to her, knife ready. Gerry continued to film. Violet extended her neck, waiting to become herself all over again.

    END